I Can Hear the Heart Beating as One | ||||
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Studio album by Yo La Tengo | ||||
Released | April 22, 1997 | |||
Recorded | House of David in Nashville, Tennessee and Big House and Magic Shop in New York City | |||
Genre | Indie rock, noise pop | |||
Length | 68:10 | |||
Label | Matador | |||
Producer | Roger Moutenot | |||
Yo La Tengo chronology | ||||
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Singles from I Can Hear the Heart Beating as One | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Chicago Tribune | |
Entertainment Weekly | A− |
The Guardian | |
NME | 8/10 |
Pitchfork Media | 9.7/10 |
Rolling Stone | |
The Rolling Stone Album Guide | |
Spin | 9/10 |
The Village Voice | A |
I Can Hear the Heart Beating as One is the eighth studio album by the American indie rock band Yo La Tengo, released on April 22, 1997, by Matador Records. It was produced by Roger Moutenot and recorded at House of David in Nashville, Tennessee. The album expands the guitar-based pop of its predecessor Electr-O-Pura to encompass a variety of other music genres, including bossa nova, krautrock, and electronic music. Most of the songs on the album deal with melancholy emotions and range from short and fragile ballads to long and open-ended dissonance.
Upon release, Beating as One reached number 19 on the Billboard's Heatseekers Albums chart, becoming the first Yo La Tengo album to enter the charts. Three songs from the album, "Autumn Sweater", "Sugarcube", and the cover "Little Honda", were released as singles. The album received considerable acclaim from music critics, who praised the band's ability to successfully expand the boundaries of nearly any pop style. The album is widely regarded as the band's best work and is frequently included on several publications' best album lists. In 2010, Rolling Stone placed it at number 86 on its list of 100 Best Albums of the Nineties.
I Can Hear the Heart Beating as One is the follow-up to Yo La Tengo's highly acclaimed 1995 album Electr-O-Pura, which was ranked at number 9 in The Village Voice's 1995 Pazz & Jop critics' poll.Electr-O-Pura marked a new creative direction for the band. According to singer and guitarist Ira Kaplan, "I think after Electr-O-Pura we've had a direction of trying not to worry too hard about what the next album is going to sound like [...] we just write a bunch of songs, and then go one baby step at the time and just do what seems right." At the time, Kaplan also explained that the lyrics used to come last: "What will really happen is somebody will start playing and we'll all fall in and play for a long time. We'll finish playing an hour later and kinda say, 'Oh, do you remember what you did?' Then we'll write something down—or maybe we won't."