I.D. (1995 film)
| I.D. | |
|---|---|
 |
|
| Directed by | Philip Davis |
| Produced by |
Luciano Gloor Sally Hibbin |
| Written by | Vincent O'Connell |
| Starring |
Reece Dinsdale Warren Clarke Claire Skinner |
| Music by | Will Gregory |
| Distributed by | BBC Films |
|
Release date
|
1995 |
|
Running time
|
107 minutes |
| Language | English |
I.D. is a 1995 British film made by BBC Films about football hooliganism, directed by Philip Davis and starring Reece Dinsdale, Sean Pertwee and Warren Clarke. It is set in the 1980s, in England, mainly London, and also shot at Millmoor and Valley Parade football grounds in Rotherham and Bradford respectively. The tagline is "When you go undercover, remember one thing... Who you are."
John (Reece Dinsdale), an ambitious young police officer, is sent undercover to join a violent football firm associated with the fictitious club Shadwell Town to track down the 'generals' - the shadowy figures who orchestrate the violence. His team of four gradually ingratiates itself into the lives of The Dogs, the nickname that Shadwell's fans give themselves. The main site for this is The Rock, a public house around which The Dogs' lives revolve. Gradually, the hard drinking, hard fighting macho world - where Saturday's match and Saturday's rumble are all that matters - proves irresistible and John slowly finds himself turning into one of the thugs he has been sent to entrap.
His relationships with his wife, his superiors and even his team become strained, and eventually his wife returns to her parents' house and rebuffs his attempted reconciliation.
The operation is abruptly wound up just as it seems John is making progress in identifying those who pull the strings, and the closing sequence shows a shaven-headed John taking part in a racist march, having become nothing more than a Nazi fascist. One of his team approaches him to try help him, but is rebuffed, John saying that he is, again, working undercover. There is a degree of ambiguity, and it might be that he is working undercover, though it may also be that he has become deluded and has merely mired himself in an even less pleasant world. His fascist chanting at the very end makes it clear that whatever the truth, John is unable to prevent himself from sinking into his character with trace
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