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Hunter Muskett

Hunter Muskett
Origin Avery Hill College, SE London
Genres Folk-rock
Years active 1968 (1968)–1974, 2010-
Labels Decca Nova, Bradley's Records,Cherry Tree Records, Limefield, SPC
Past members Terry Hiscock
Chris George
Doug Morter
Rog Trevitt

Hunter Muskett is an English folk-rock band that first existed between 1968 and 1974, and reformed in 2010.

The group was formed at Avery Hill College in South London when Terry Hiscock and Chris George were joined by fellow student Doug Morter. The band’s name was taken from an anecdote about an eccentric Cornishman.

Hunter Muskett began by playing in London folk-clubs and colleges mixing original songs with acoustic folk and blues. Unusually for the time they used a pa system and some electric instruments in folk clubs.

The band signed to Decca Nova after being spotted playing at The Troubadour in London’s Earls Court. On the resulting album, ‘Every Time You Move’ (1970), produced by Kim Margolis, the trio’s acoustic sound was augmented by Danny Thompson (uncredited) on double bass and orchestration arranged by Richard Hewson. Bass-player Rog Trevitt joined shortly after the album's release. The Decca Nova label lasted less than a year.

From 1971 to 1974 the band toured the UK and on the continent, also making one trip to Morocco. Although mainly working the folk/college/ circuit, they also played festivals (Cambridge, St Albans, Laycock, Norwich) and major venues, notably as support to Ralph McTell (UK Spring Tour 1973) and Amon Düül (touring Belgium and Northern France in autumn 1973). Radio appearances included BBC's Country Meets Folk, Pete Drummond’s Night Ride and Sounds on Sunday.

In 1973 managers Mike Hutson and George Fenton (then working as George Howe) signed the band to Derek Johns at Bradley's Records where they became one of three acts (alongside Paul Brett and Kala ) in a label launch involving considerable promotional expenditure. The album ‘Hunter Muskett’ (1973) produced by Keith Relf also featured Michael Giles on drums, Jim McCarty on percussion, Ken Freeman and John ‘Rabbit’ Bundrick (uncredited) on synthesiser.


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