Hot Fuss | ||||
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Studio album by The Killers | ||||
Released | June 7, 2004 | |||
Recorded | 2003 | |||
Studio |
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Genre | ||||
Length | 45:39 | |||
Label | Island | |||
Producer |
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The Killers chronology | ||||
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Singles from Hot Fuss | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 66/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 4/5 |
Blender | |
Entertainment Weekly | C |
NME | 7/10 |
Pitchfork Media | 5.2/10 |
Q | |
Rolling Stone | |
Slant Magazine | |
Spin |
Hot Fuss is the debut studio album by American rock band The Killers. It was released on June 7, 2004 in the United Kingdom and on June 15, 2004 in the United States. The album is mostly influenced by new wave music and post-punk. Hot Fuss produced several commercially and critically successful singles: "Mr. Brightside", "Somebody Told Me", "All These Things That I've Done" and "Smile Like You Mean It".
The album reached number seven on the Billboard 200 chart and number one on the UK Albums Chart. As of December 2012, Hot Fuss had sold more than seven million copies worldwide, including more than three million in the United States and more than two million in the UK, where it has been certified seven-times platinum. It has also been certified platinum or multi-platinum in Australia, Canada, Ireland, and New Zealand.
The album and its first three singles went on to garner five Grammy Award nominations. Rolling Stone ranked Hot Fuss the 43rd of its "100 Best Albums of the Decade", and it is one of the five most recent recordings listed among the 1001 Albums You Must Hear Before You Die. Gigwise readers voted it the number-one "Best Debut Album of All Time" in 2013 and Rolling Stone ranked it the 33rd of its list of "The 100 Greatest Debut Albums of All Time".
The album was recorded at various points throughout 2003 with Jeff Saltzman in Berkeley, California, with the exception of "Everything Will Be Alright" which was recorded in guitarist Dave Keuning's apartment and engineered by Corlene Byrd. Many of the tracks were originally recorded as demos, which the band decided to keep for their spontaneity. The album was mixed by Mark Needham at Cornerstone Studios, Los Angeles and Alan Moulder at Eden Studios in London.