Honeymoon in Red
| Honeymoon in Red | ||||
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| Studio album by Lydia Lunch | ||||
| Released | 1987 | |||
| Recorded |
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| Length | 37:11 | |||
| Label | Widowspeak | |||
| Producer | J.G. Thirlwell | |||
| Lydia Lunch chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Trouser Press | mixed-to-favorable |
Honeymoon in Red is a concept album released in 1987 as a Lydia Lunch album. Honeymoon in Red is sometimes referred to as a band or alternately as a collaboration between Lydia Lunch and The Birthday Party.
Honeymoon in Red is musically eclectic, combining elements of burlesque, no wave, singer/songwriter Jacques Brel, American Underground, the use of a "varispeed" for atmospherics, a song by country pop songwriter Lee Hazlewood, dissonant piano and guitar and muscular bass guitar and the darkly charismatic personas of Nick Cave and Lydia Lunch.
The album generally resembles the angular pop of The Birthday Party's Prayers on Fire, although the song "Dead in the Head" recalls the strident guitar playing of Teenage Jesus and the Jerks. Unlike The Birthday Party, Honeymoon In Red emphasises vernacular speech akin to 1970s American television and film, instead of emulating the Southern Gothic literary genre. In a 1983 television interview, Lunch spoke of the experimental music as "religious music" that was "not rock".
The album's graphic design resembled a lurid 1950s Saul Bass movie poster, with cockfighting motifs. The liner notes from Lunch titled "THE TERRORTORY" comments on commercial and religious puritanical attitudes. It included an Annie Sprinkle photograph of Lydia Lunch's body superimposed onto a rural roadmap, also a photograph by a Chris Stein of Lunch wearing a suicide-blonde wig and heavy make up, holding up a large pistol.
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