Hercules Seghers

Hercules Seghers
Hercules Segers, Town with four towers, c. 1631. Etching & Drypoint. Cincinnati Art Museum. A typically unusual etching: printed in green on coloured cotton, and worked over with grey and black washes.
Born	Hercules Pieterszoon Seghers c. 1589 Haarlem
Died	c. 1638
Nationality	Dutch
Known for	Painting, Printmaking, Landscape art
Movement	Dutch Golden Age

Hercules Pieterszoon Seghers or Segers (c. 1589 – c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker.

Hercules was born in Haarlem, as the son of a Mennonite cloth merchant, originally from Flanders, who moved to Amsterdam in 1596. There Hercules was apprenticed to the leading Flemish landscapist of the day Gillis van Coninxloo, but his apprenticeship was presumably cut short by Coninxloo's death in 1606. Seghers and his father bought a number of his works at the auction of the studio contents, as Pieter Lastman did. Seghers' father died in 1612, after which he returned to Haarlem, joining the Haarlem Guild of St. Luke.

He returned to Amsterdam in 1614 to obtain custody of an illegitimate daughter, and the following year married Anneke van der Brugghen from Antwerp, who was sixteen years older than he was. In 1620 he bought a large house in the Jordaan on the Lindengracht for about 4,000 guilders, but by the late 1620s he was in debt, and in 1631 had to sell it. From his studio at the top of the house, which was pulled down in 1912, he had a view on the recently finished Noorderkerk which is on one of his etchings.

In the same year he moved to Utrecht and started to sell art. In 1633 he moved to the Hague. He appears to have died by 1638, when a Cornelia de Witte is mentioned as widow of a "Hercules Pieterz.". Like much of the detailed documentation of Segher's life, this link depends on the assumed rarity of his first name. Some later sources said that Segers took to drink towards the end of his life and died after falling down the stairs.

His posthumous reputation was boosted by the Inleyding tot de hooge schoole der schilderkonst (Introduction to the High School of Painting) of Samuel van Hoogstraten which presented him rather as a Romantic genius avant la lettre, lonely, poor and misunderstood, based mostly on his etchings.