Henry Murger

Louis-Henri Murger, also known as Henri Murger and Henry Murger (27 March 1822 – 28 January 1861) was a French novelist and poet.

He is chiefly distinguished as the author of Scènes de la vie de bohème, from his own experiences as a desperately poor writer living in a Parisian attic, and member of a loose club of friends who called themselves "the water drinkers" (because they were too poor to afford wine). In his writing he combines instinct with pathos, humour and sadness. The book is the basis for the operas La bohème (Puccini) and La bohème (Leoncavallo), and, at greater removes, the zarzuela Bohemios (Amadeu Vives), the operetta Das Veilchen vom Montmartre (Kálmán) and the Broadway musical Rent. He wrote lyrics as well as novels and stories, the chief being La Chanson de Musette, "a tear," says Gautier, "which has become a pearl of poetry".

Murger was born and died in Paris. He was the son of a Savoyard immigrant who worked as a tailor and janitor for an apartment building in the Rue Saint Georges. He had a scanty and fragmented education. After leaving school at 15 he worked in a variety of menial jobs before securing one in a lawyer's office. While there he also wrote poetry which came to the attention of the French writer Étienne de Jouy. De Jouy's connections enabled him to secure the position of secretary to Count Tolstoi, a Russian nobleman living in Paris. Murger's literary career began about 1841. His first essays were mainly literary and poetic, but under the pressure of earning a living he wrote whatever he could find a market for, turning out prose as he put it, "at the rate of eighty francs an acre". At one point he edited a fashion newspaper, Le Moniteur de la Mode, and a paper for the millinery trade, Le Castor. His position gradually improved when the French writer Champfleury, with whom he lived for a time, urged Murger to devote himself to fiction. His first big success was Scènes de la vie de bohème. In 1851 Murger published a sequel, Scènes de la vie de jeunesse. Several more works followed, but none of them brought him the same popular acclaim.

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