Henri Chopin (18 June 1922 – 3 January 2008) was an avant-garde poet and musician.
Henri Chopin was born in Paris,18 June 1922, one of three brothers, and the son of an accountant. Both his siblings died during the war. One was shot by a German soldier the day after an armistice was declared in Paris, the other while sabotaging a train (Acquaviva 2008).
Chopin was a French practitioner of concrete and sound poetry, well known throughout the second half of the 20th century. His work, though iconoclastic, remained well within the historical spectrum of poetry as it moved from a spoken tradition to the printed word and now back to the spoken word again (Wendt 1996, 112). He created a large body of pioneering recordings using early tape recorders, studio technologies and the sounds of the manipulated human voice. His emphasis on sound is a reminder that language stems as much from oral traditions as from classic literature, of the relationship of balance between order and chaos.
Chopin is significant above all for his diverse spread of creative achievement, as well as for his position as a focal point of contact for the international arts. As poet, painter, graphic artist and designer, typographer, independent publisher, filmmaker, broadcaster and arts promoter, Chopin's work is a barometer of the shifts in European media between the 1950s and the 1970s.
In 1966 he was with Gustav Metzger, Otto Muehl, Wolf Vostell, Peter Weibel and others a participant of the Destruction in Art Symposium (DIAS) in London (Solodyankina 2015).
In 1964 he created OU, one of the most notable reviews of the second half of the 20th century, and he ran it until 1974. OU's contributors included William S. Burroughs, Brion Gysin, Gil J Wolman, François Dufrêne, Bernard Heidsieck, John Furnival, Tom Phillips, and the Austrian sculptor, writer and Dada pioneer Raoul Hausmann.