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Heights (band)

Heights
Heights, May 2012.jpg
Heights in 2012
Background information
Origin Welwyn Garden City, Hertfordshire, UK
Genres Post-hardcore, hardcore punk, post-metal
Years active 2009–2014
Labels Mediaskare, Transcend Music, Destroy Everything
Associated acts Life & Limb, Frank Carter & the Rattlesnakes, Counting Days
Website weareheights.com
Past members Thomas Debaere
Andrew Moulder
Dean Richardson
Tom Green
Tom Hutton
Alex Monty

Heights was a British hardcore punk band from Welwyn Garden City, England. Formed in 2009, the band's final line-up consisted of vocalist Alex Monty, guitarists Dean Richardson and Tom Green and drummer Tom Hutton. They drew musical influences from a variety of styles, including but not limited to groups such as Devil Sold His Soul, Architects, Underoath, Comeback Kid, Nick Cave and the Bad Seeds and Gallows.

The band released their debut album Dead Ends on 21 June 2011 through Mediaskare Records to critical acclaim – it was the first album of the year to receive a KKKKK (5/5) rating by Kerrang! and also gained 8/10 scores from both Metal Hammer and Rocksound magazines. The release saw the band tour extensively with varied number of bands in alternative music like Architects, Biohazard and Attack Attack!. Following the release of their debut album, the band left Mediaskare Records and signed to Transcend Music who released their second and final album "Old Lies For Young Lives". In 2014 the band released a 3-track EP entitled "Strangers" which would be their final studio material to be released before their break up.

Since their break up in 2014, the former band members have pursued other musical ventures, the most notable being guitarist Dean Richardson joining the band Frank Carter & the Rattlesnakes. Former lead vocalist Thomas Debaere has since formed a metalcore band known as "Counting Days" who released their debut album, "Liberated Sounds" in 2015.

Heights recorded their first studio album at Outhouse Studios in Reading, United Kingdom. It was released on 21 June 2011 to critical acclaim. Kerrang! magazine awarded the album 5/5 and at the time of print was the only album that year to receive full marks. The album also received an 8/10 review from Metal Hammer and Rocksound magazines.


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