Hedvig Mollestad | |
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Background information | |
Birth name | Hedvig Mollestad Thomassen |
Born |
Ålesund, Møre og Romsdal |
4 February 1982
Origin | Norway |
Genres | Jazz |
Occupation(s) | Musician and composer |
Instruments | Guitar |
Labels | Rune Grammofon |
Associated acts | "El Doom & The Born Electric" Hedvig Mollestad Trio |
Website | Hedvig Mollestad Thomassen on Myspace |
Hedvig Mollestad Thomassen (born 4 February 1982 in Ålesund, Norway) is a Norwegian jazz musician (guitar, vocals and composing), known for a series of album releases and collaborations with musicians like Jon Eberson, Jarle Bernhoft and Hilde Marie Kjersem.
Thomassen is a graduate from the Norwegian Academy of Music, and collaborates in a variety of rock and jazz bands, including her own Hedvig Mollestad Trio, Thomassen Trio, Bronco Busters, Songs and Sweet Potatoes, and VOM (as "Mester Pøggs"). She also has a central role in the bands of Jarle Bernhoft and Hilde Marie Kjersem, and has performed within Trondheim Jazz Orchestra. Thomassen was awarded "The young jazz talent of the year" at Moldejazz in 2009, and showed up on a gig within Jarle Bernhoft Band at the 2011 Kongsberg Jazzfestival. When she released her debut solo album Shoot! (2011) leading her own trio, the music bears little resemblance to what she plays within Jon Eberson Group and the bands of Hilde Marie Kjersem and Jarle Bernhoft.
Hedvig Mollestad Trio (also referred to as HM3) consists of Hedvig Mollestad (guitar, vocals), Ellen Brekken (bass) and Ivar Loe Bjørnstad (drums). The trio has received numerous appraising reviews internationally, for both their studio albums and live performances. Their music is inspired by 70s heavyrock, but creates a peculiar musical mixture of ingredients like free jazz, prog and psychedelia. On its website the band describes their own music as "Outgoing & progressive instrumental rock". Since the trio's formation in 2009, HM3 has played many concerts and jazz festivals in both Norway and abroad and they have toured in Europe, Malaysia, Japan and the USA. In reviews of the band's two most recent albums, All About Jazz critique John Kelman states: