Hats (album)
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| Studio album by The Blue Nile | ||||
| Released | 16 October 1989 | |||
| Recorded | 1984–1989 | |||
| Studio | Castlesound Studios, Pencaitland, East Lothian, Scotland | |||
| Genre | Sophisti-pop | |||
| Length | 38:26 | |||
| Label | Linn, A&M | |||
| Producer | The Blue Nile | |||
| The Blue Nile chronology | ||||
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| Singles from Hats | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Chicago Tribune | |
| Encyclopedia of Popular Music | |
| Mojo | |
| NME | 9/10 |
| PopMatters | 9/10 |
| Q | |
| Rolling Stone |  |
| Sounds | |
| Uncut | 10/10 |
Hats is the second studio album by Scottish band The Blue Nile, originally released on 16 October 1989 on Linn Records and A&M Records.
After a prolonged delay in which an entire album's worth of work was scrapped, The Blue Nile released Hats to rave reviews, including a rare five-star rating from Q magazine. It also became the band's most successful album, reaching number 12 on the UK album charts and spawning three singles: "The Downtown Lights", "Headlights on the Parade", and "Saturday Night".
Rickie Lee Jones, a fan of the band, personally selected The Blue Nile as her opening act for her US tour in 1990. She would later record a duet with them, a cover of their own "Easter Parade" from A Walk Across the Rooftops, which was featured as a B-side to the single "Headlights on the Parade". "The Downtown Lights" was covered by two artists in 1995: by Annie Lennox (with whom The Blue Nile worked on her debut album Diva) on her second solo recording, Medusa; and by Rod Stewart on his album A Spanner in the Works.
Having finished promotion work for their debut album A Walk Across the Rooftops, the group's record company Linn Records were keen to have a follow-up record, and in early 1985 sent the band to a house in the golfing resort town of Gullane near the Castlesound Studios where the previous album had been produced. However, sessions for the new record hit problems almost immediately. The band did not yet have enough material to make another album, and with the group forced to share a house and having to spend all their time in close proximity with each other, arguments developed among the homesick band members. Exhausted and stressed, their problems were compounded when Virgin Records, to whom Linn had licensed the Blue Nile's records, began legal proceedings against Linn Records, demanding new material. "We were up against the wall," singer Paul Buchanan told Uncut magazine in 2013. "Living away from home, no money, miserable, getting sued. We were absolutely zonked, the record company weren't pleased and everyone around was starting to think, this record is never going to get made. It was exhausting."
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Wikipedia