Harry James | |
---|---|
Born |
Harry Haag James March 15, 1916 Albany, Georgia, U.S. |
Died | July 5, 1983 Las Vegas, Nevada, U.S. |
(aged 67)
Cause of death | Lymphatic cancer |
Spouse(s) |
Louise Tobin (m. 1935; div. 1943) Betty Grable (m. 1943; div. 1965) Joan Boyd (m. 1968; div. 1970) |
Children | 5 |
Musical career | |
Genres | |
Occupation(s) |
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Instruments | Trumpet |
Years active | 1933–1983 |
Associated acts |
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he re-organized and was active again with his band from then until his death in 1983. He was especially known among musicians for his astonishing technical proficiency as well as his superior tone, and was extremely influential on up and coming trumpet players from the late 1930s into the 1940s. He was also an actor in a number of motion pictures that usually featured his bands in some way.
Harry James was born in Albany, Georgia, the son of Myrtle Maybelle (Stewart), an acrobat and horseback rider, and Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus. According to the Bill Sterns Sports Newsreel broadcast on September 12, 1942, on which James appeared, he was saved from being trampled, at the age of 6, by his mother's horse after performing with the horse. By the age of 10 he was taking trumpet lessons from his father, who placed him on a strict daily practice schedule. Each day, James was given one page to learn from the Arban's book and was not allowed to pursue any other pastime until he had learned that particular page.
In 1931, his family settled in Beaumont, Texas. It was here, at 15 years of age, that James began playing in local dance bands. James played regularly with Herman Waldman's band, and at one performance was noticed by nationally popular Ben Pollack. In 1935 he joined Pollack's band, but at the start of 1937 left to join Benny Goodman's orchestra, where he stayed through 1938. He was nicknamed "The Hawk" early in his career for his ability to sight-read. A common joke was that if a fly landed on his written music, Harry James would play it. His low range had a warmth associated with the cornet and even the flugelhorn, but this sound was underrecorded in favor of James' brilliant high register.