Harpsichord concerto

A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see piano concerto). For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and (in some cases) pipe organ.

The harpsichord was a common instrument, but never as popular as string or wind instruments in the concerto role, probably due to its relative lack of volume in an orchestral setting. In this context, harpsichords were more usually employed as a continuo instrument, playing a harmonised bass part in nearly all orchestral music, the player often also directing the orchestra.

Bach's Brandenburg Concerto No.5 in D major, BWV 1050, may be the first work in which the harpsichord appears as a concerto soloist. In this piece, its usual continuo role is alternated with prominent solo obbligato episodes in all three movements. In the first movement the harpsichord, after rapid scales up and down the length of its range, embarks on a solo cadenza which lasts for 3–4 minutes, while the orchestra is silent.

It was also popular at this time to adapt Italian concertos for other instruments (such as violin and orchestra) for solo harpsichord (or organ)—which Bach did with many of Vivaldi's concertos. The concerto transcriptions Bach made for harpsichord are listed as BWV 972–987. Bach's Italian concerto BWV 971 is in this transcription style, though it was written as an original piece for harpsichord. In 1738 Michael Scheuenstuhl () published a similar concerto in G minor.

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