Hal Hartley
| Hal Hartley | |
|---|---|
 |
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| Born |
November 3, 1959 Lindenhurst, New York, U.S. |
| Nationality | American |
| Alma mater |
Massachusetts College of Art SUNY Purchase |
| Occupation | Director, screenwriter, producer, composer |
| Years active | 1984–present |
| Spouse(s) | Miho Nikaido (m. 1996) |
| Website | possiblefilms |
Hal Hartley (born November 3, 1959) is an American film director, screenwriter, producer and composer who became a key figure in the American independent film movement of the 1980s and '90s. He is best known for his films Trust, Amateur and Henry Fool, which are notable for deadpan humour and offbeat characters quoting philosophical dialogue.
His films provided a career launch for a number of actors, including Adrienne Shelly, Edie Falco, Martin Donovan, Karen Sillas and Elina Löwensohn. Hartley frequently scores his own films using his pseudonym Ned Rifle, and his soundtracks regularly feature music by indie rock acts Yo La Tengo and PJ Harvey.
Hartley was born in Lindenhurst in southern Long Island, New York, the son of an ironworker. Hartley had an early interest in painting and attended the Massachusetts College of Art in Boston where he studied art and developed an interest in filmmaking. In 1980, he was accepted to the filmmaking program at the State University of New York at Purchase in New York, where he met a core group of technicians and actors who would go on to work with him on his feature films, including his regular cinematographer Michael Spiller.
Hartley shot his first feature film, The Unbelievable Truth, in 1988. Made on a shoestring budget and filmed in his native Long Island, it was an unconventional love story about a suburban Long Island teenager (played by Adrienne Shelly, a Hartley regular) falling in love with a handsome mechanic with a criminal past (Robert John Burke). The screenplay featured what have become Hartley's trademarks - deadpan humour, offbeat, stilted, pause-filled dialogue, and characters posing philosophical questions about the meaning of life, combined with a degree of stylization in acting, choreography and camera movement. The film received positive reviews and was nominated for the Grand Jury Prize at the 1990 Sundance Film Festival, establishing Hartley as a distinctive new talent in the burgeoning independent filmmaking movement.
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