Gustav Stickley
| Gustav Stickley | |
|---|---|
 |
|
| Born |
March 9, 1858 Osceola, Wisconsin |
| Died | April 21, 1942 (aged 84) Syracuse, New York |
| Nationality | American |
| Known for | Furniture design |
| Notable work | Craftsman furniture |
| Movement | Arts and Crafts movement |
| Spouse(s) | Eda Ann Simmons |
Gustav Stickley (March 9, 1858 – April 21, 1942) was a furniture manufacturer, design leader, publisher and the chief proselytizer for the American Craftsman style, an extension of the British Arts and Crafts movement.
One of eleven children of German émigrés Leopold and Barbara Schlager Stoeckel, Gustav Stickley was born Gustavus Stoeckel on March 9, 1858, in Osceola, Wisconsin. The eldest surviving son, Stickley experienced the rigors of life upon a small Midwestern farm, forgoing his formal education in 1870 to continue work in his father’s field of stonemasonry and help support his struggling family. By early 1876, Stickley’s mother and siblings moved to Brandt, Pennsylvania, where Gustav worked in his uncle’s chair factory – his first formal training in the furniture industry.
With his brothers Charles and Albert, Gustav formed Stickley Brothers & Company in 1883, the same year in which he married Eda Ann Simmons. Within five years, the company was dissolved and Stickley’s ambitions led him to partner with Elgin Simonds, a salesman in the furniture trade, to form the firm of Stickley & Simonds in Binghamton, New York. During the 1890s, Stickley divided his efforts between his new enterprise and, with his brother Leopold, served as a foreman of furniture operations at the Auburn State Prison. In 1898 he orchestrated the removal of his business partner and formed the Gustave Stickley Company (he dropped the use of the "e" in 1903).
In the summer of 1900 he worked with Henry Wilkinson and, possibly, LaMont A. Warner (soon his first staff designer) to create his first Arts and Crafts works in an experimental line called the New Furniture. In 1901 he changed the name of his firm to the United Crafts, issued a new catalogue written by Syracuse professor Irene Sargent, and began to offer middle class consumers a host of progressive furniture designs in ammonia-fumed quartersawn white oak, as well as other mostly native woods. In October 1901, Stickley published the first issue of The Craftsman magazine, an important vehicle for promoting Arts and Crafts philosophy as well as the products of his factory within the context of articles, reviews, and advertisements for a range of products of interest to the homemaker. The magazine also featured articles by libertarian socialists.
Stickley's new furniture reflected his ideals of simplicity, honesty in construction, and truth to materials. Unadorned, plain surfaces were enlivened by the careful application of colorants so as not to obscure the grain of the wood and mortise and tenon joinery was exposed to emphasize the structural qualities of the works. Hammered metal hardware, in armor-bright polished iron or patinated copper emphasized the handmade qualities of furniture which was fabricated using both handworking techniques and modern woodworking machinery within Stickley's Eastwood, New York, factory (now a part of Syracuse, New York). Dyed leather, canvas, terry cloth and other upholstery materials complemented the designs.
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