Gunn Wållgren
| Gunn Wållgren | |
|---|---|
As Joan of Arc, Royal Dramatic Theatre, 1948.
|
|
| Born |
Gunnel Margaret Haraldsdotter Wållgren 16 November 1913 Gothenburg, Sweden |
| Died | 4 June 1983 (aged 69) , Sweden |
| Nationality | Swedish |
| Occupation | Actress |
| Years active | 1934–1982 |
| Spouse(s) |
Hampe Faustman (m. 1941–48) Per-Axel Branner (m. 1954–75) |
Gunn Wållgren, (born Gunnel Margaret Haraldsdotter Wållgren ([vɔlɡreːn]), 16 November 1913 – 4 June 1983) was a Swedish actress.
Considered one of Sweden's finest and also to date most appreciated actresses, Wållgren was famous for her fragile and sensual way of acting, her warm and rich inner soulfulness, and her never failing ability of presenting an absolute presence and naturalness on stage. Her Chekhov and Ibsen character interpretations, in particular, are considered to be unsurpassed.
Born and raised in Gothenburg, Sweden's second largest town, Gunn Wållgren played a lot of amateur theatre in local groups in her teenage years. She knew very early that she wanted to become an actress although her father; the stern company manager Harald Wållgren, strongly disapproved: To get the theatre ideas out of her head, he even sent her overseas on a trip to Switzerland. However, the acting dreams only increased as she strolled by the coast of Lake Constance and had only gotten worse by the time she returned. Carrying a tremendous personal shyness and insecurity (which came to define and restrict her private persona all her life) she secretly applied for the Royal Dramatic Theatre's acting school in (in 1934) – and was admitted on first try, at age 21.
Gunn Wållgren's first major role at the Royal Dramatic Theatre as "premiere actress" became the playful daughter Mildred in Eugene O'Neill's beautiful play Ah, Wilderness! (a very successful and long-running production) in 1936. Winning the critics' and the audience's heart in her part she received an immediate contract with the Royal Dramatic Theatre after her graduation from drama school in 1937. Even though she came to work at different theatres all her life, she always returned to the national stage. Some master performances by Wållgren on stage include her Sorel Bliss in Noël Coward's Hay Fever in 1937, Celia in Shakespeare's As You Like It 1938 (directed by Alf Sjöberg), the strong portrayal of Curley's wife in the original Swedish staging of John Steinbeck's Of Mice and Men in 1940, Iphigenia in Goethe's Iphigenia in Tauris 1941, her Ophelia in the classic 1942 staging of Hamlet (opposite Lars Hanson in the title role), Mary Grey/Joan of Arc in Joan of Lorraine by Maxwell Anderson in 1948, Catherine Sloper in The Heiress by Ruth and Augustus Goetz in the 1950/51 season, Indra's daughter in the Olof Molander-staging of Strindberg's A Dream Play 1955, Nina in Chekhov's The Seagull 1955, Masha in Chekhov's Three Sisters 1958, Isabella in Shakespeare's Measure for Measure 1958, Nora in Ibsen's A Doll's House 1962, Gerda in Strindberg's Storm 1964, Mrs. Alving in Ibsen's Ghosts 196?, the grand portrayal of Madame Liubov Andreievna Ranevskaya in The Cherry Orchard by Chekhov in 1967, Martha Brewster in Arsenic and Old Lace in 1970, the title role of Agnes in Kent Andersson's 1972 play, Lena in Fugard's Boesman and Lena 1977; and the role of Ethel Thayer in Sista sommaren (play based on the Oscar-winning film On Golden Pond, starring Katharine Hepburn in the same part) in 1981.
...
Wikipedia