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Grind (musical)

Grind
Music Larry Grossman
Lyrics Ellen Fitzhugh
Book Fay Kanin
Productions 1985 Broadway

Grind is a musical with a book by Fay Kanin, music by Larry Grossman, and lyrics by Ellen Fitzhugh. Grind is a portrait of a largely African-American burlesque house in Chicago in the Thirties.

The reviews were mixed at best. In his New York Times review, Frank Rich wrote: "...the show has become a desperate barrage of arbitrary musical numbers, portentous staging devices, extravagant costumes..., confused plot twists and sociological bromides..." "Grind" fared poorly at the box office; "The production was a disaster; the show lost its entire $4.75 million investment, and Prince and three other members of the creative team were suspended by the Dramatists Guild for signing a "substandard contract." 1985 was a bad year for Broadway musicals, and only one hit (Big River) had emerged by the time Tony nominations were submitted. Since there was little decent competition, "Grind" received a Tony nomination for Best Musical. Ken Mandelbaum wrote of the season: "The original Big River came along at the end of a dismal season for new musicals, and Leader of the Pack, Quilters, and the fascinating but unworkable Grind posed virtually no competition.

Even critics who hated Grind were impressed by Leilani Jones' performance: Frank Rich wrote: "Miss Jones, in her Broadway debut, is a find - a gifted young performer lacking only a little flash." She received the Tony Award, the Drama Desk Award, and the Theatre World Award as Best Featured Actress in a Musical that year.

It opened on Broadway at the Mark Hellinger Theatre on April 16, 1985 and closed on June 22, 1985 after 71 performances and 25 previews.

Directed by Hal Prince, set design by Clarke Dunham, costume design by Florence Klotz, lighting design by Ken Billington, musical direction by Paul Gemignani, orchestrations by Bill Byers, additional orchestrations by Jim Tyler and Harold Wheeler, dance music arrangements by Tom Fay, dance music for New Man arranged by Gordon Harrell, with choreography by Lester Wilson, assistant choreography by Larry Vickers, and hair and make up by Richard Allen.


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