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Green (Steve Hillage album)

Green
Green - Steve Hillage album.jpg
Studio album by Steve Hillage
Released April 1978
Recorded December 1977–February 1978
Studio
Genre
Length 46:09
Label Virgin
Producer
Steve Hillage chronology
Motivation Radio
(1977)Motivation Radio1977
Green
(1978)
Live Herald
(1979)Live Herald1979

Green is the fourth studio album by British progressive rock musician Steve Hillage. Written in spring 1977 at the same time as his previous album, the funk-inflicted Motivation Radio (1977), Green was originally going to be released as The Green Album as a companion to The Red Album (the originally intended name for Motivation Radio). However, this plan was dropped and after a US tour in late 1977, Green was recorded alone, primarily in Dorking, Surrey, and in London.

Produced and engineered by Pink Floyd drummer Nick Mason, Green features science fiction themes and explores electronic music, especially of a dance music bent, continuing the dance themes of Motivation Radio. Most of the guitar and some of the keyboard parts on Green were played by Hillage with a Roland GR 500–an early guitar synthesizer. Hillage enjoyed "the hybrid sounds" he achieved on the album with the instrument, but would retire the instrument as it was too problematic to use.

The album was released in 1978 by Virgin Records, originally as a limited edition translucent green vinyl before the standard version replaced it shortly afterwards. The album cover features a distinctive "pyramid fish" design by English writer John Michell. Green peaked at number 30 on the UK Albums Chart and was a critical success. Hillage pursued a more electronic direction after its release. Green was remastered for CD release in both 1990 and 2007.

Hillage's second album L (1976) had been a surprise success, garnering critical praise and reaching number 10 on the UK Albums Chart and staying on the chart for twelve weeks. As a result, Hillage and his band were offered the chance to open for Electric Light Orchestra on their American tour in early 1977. It was whilst based in Los Angeles during the tour that Hillage and his collaborator and songwriting partner Miquette Giraudy met synthesizer pioneer Malcolm Cecil, whose work with the Tonto's Expanding Head Band and Stevie Wonder had influenced Hillage's work on L. With Hillage wanting to head into funkier territory, Cecil agreed to produce Hillage's third album.


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