The Great Temple of the Aten (or the pr-Jtn, House of the Aten) was located in the city of el-Amarna (ancient Akhetaten), Egypt. It served as the main temple for the worship of the deity Aten during the reign of the 18th dynasty Pharaoh Akhenaten (c. 1353-1336 BCE). Akhenaten ushered in a unique period of ancient Egyptian history by establishing the new religious cult dedicated to the sun-disk Aten. The king shut down traditional worship of other deities like Amun-Ra, and brought in a new era, though short-lived, of seeming monotheism where the Aten was worshipped as a sun god and Akhenaten and his wife, Nefertiti, represented the divinely royal couple that connected the people with the god. Although he began construction at Karnak during his rule, the association the city had with other gods drove Akhenaten to establish a new city and capital at Amarna for the Aten. Akhenaten built the city along the east bank of the Nile River, setting up workshops, palaces, suburbs and temples. The Great Temple of the Aten was located just north of the Central City and, as the largest temple dedicated to the Aten, was where Akhenaten fully established the proper cult and worship of the sun-disk.
The city of Akhetaten was built rather hastily and was constructed mostly of mud-brick. Mud-bricks were made by drying in the sun and they measured 33–37 cm x 15–16 cm x 9–10 cm, although bricks for temple enclosure walls were slightly larger, at 38 cm x 16 cm x 16 cm. During construction, bricks were laid down with a small amount of mortar between the rows and no mortar between adjacent bricks. There was no rain to deteriorate the bricks but they would wear down from wind-swept sand, so for protection walls were plastered with a layer of mud that could be reapplied. As the bricks dried, they often shrank leading to warping and structural problems, so a technique was developed of arranging the rows of bricks so that every other row was nearly hollow, allowing for air to circulate. While this helped walls keep their form, it also acted to weaken the walls so particularly high constructions meant to hold a lot of weight had to be made differently. For pylon towers and large surrounding walls like those at the Great Temple of the Aten, timber was used for structural support and the public buildings within the Temple had stone columns and were built of other stones for more support. Stone columns conformed to the usual style found elsewhere in Egypt, representing either palm-frond or papyrus. To lay out structural elements like offering tables and pits on a plaster floor, string was used. The string was first dipped in black paint and stretched tightly and was allowed to touch the ground, leaving a mark. In some instances the string was even pushed into the plaster floor, leaving a shallow groove. A similar technique was used to divide up wall surfaces before they were decorated with relief.