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Grammy Award for Video of the Year

Grammy Award for
Video of the Year
Awarded for Quality music videos
Country United States
Presented by National Academy of Recording Arts and Sciences
First awarded 1982
Last awarded 1983
Official website grammy.com

The Grammy Award for Video of the Year was an honor presented to recording artists at the 24th Grammy Awards in 1982 and the 25th Grammy Awards in 1983 for music videos. The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

First presented in 1982 to Michael Nesmith for Elephant Parts, the award was reserved for quality "video cassettes or discs in any format created specifically for the home video market". In 1983, Olivia Newton-John was presented the award for Olivia Physical. Beginning with the 1984 Grammy Awards, the Video of the Year award category was replaced with the categories Best Video, Short Form and Best Video Album (now known as Best Music Video and Best Music Film, respectively).

Nominees for the 24th Grammy Awards (1982), Video of the Year included: Eubie Blake for One Night Stand: A Keyboard Event, the band Blondie for Eat to the Beat, Bruce Seth Green for the participative video collection of puzzles and games known as The First National Kidisc, and Michael Nesmith, former member of The Monkees, for the hour-long video Elephant Parts (also known as Michael Nesmith in Elephant Parts).One Night Stand was a recording of a jazz program billed as "an evening of all-stars" at Carnegie Hall, with appearances by Kenny Barron, Arthur Blythe, George Duke, Herbie Hancock, Roland Hanna, Bobby Hutcherson and ten other musicians. Blondie's video cassette Eat to the Beat accompanied their 1979 album of the same title.The First National Kidisc, one of the first interactive and educational videodiscs, contained activities designed for children. Without "fancy digital effects", Green's Kidisc provided five to ten hours of interactive capability within a 30-minute video through the use of dual audio tracks, freeze framing, slow motion, and other techniques. Features included plane flying, jokes, paper plane construction, music performance, and other games.


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