Gotham Chamber Opera was a professional opera company located in New York City. The company was founded in 2000 under the name of the Henry Street Chamber Opera by Artistic Director Neal Goren and specialized in producing rarely performed chamber operas from the Baroque era to the present. In 2003, it changed its name to the Gotham Chamber Opera (GCO) after incorporating as an independent 501(c)3 organization. Its Executive Director was Edward Barnes, who took over from David Bennett. It closed in 2015.
The company first presented the American premiere of Mozart's Il sogno di Scipione (1771), staged by Christopher Alden in 2001 at the Playhouse at the Abrons Arts Center, a 350-seat theater on the New Yorks's Lower East Side.
Soon after, the company produced a double bill of Henry Purcell's Dido and Aeneas (1689) and Darius Milhaud's Les malheurs d'Orphée (1924). Two more American premieres followed in November 2002 with Czech composer Bohuslav Martinů's 1928 Dada opera, Les larmes du couteau (Tears of the Knife), and his 1935 Hlas lesa (The Voice of the Forest).
After incorporating as a non-profit organization in 2003, the newly renamed Gotham Chamber Opera (GCO) presented the American premiere of Swiss composer Heinrich Sutermeister's 1935 Die schwarze Spinne (The Black Widow).
Gotham's February 2005 production of Handel's Arianna in Creta played to full houses and drew favorable reviews. That summer, in a co-production with the Lincoln Center Festival and Spoleto Festival USA, the company performed Ottorino Respighi's fantastical La bella dormente nel bosco (Sleeping Beauty in the Woods), featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten's only comedy, Albert Herring, received its first professional staging in New York in more than 30 years, and in the winter of 2007, Rossini's Il signor Bruschino received its first major professional New York staging in more than half a century.