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Good Vibrations

"Good Vibrations"
Good Vibrations single.jpg
Single by The Beach Boys
B-side "Let's Go Away for Awhile"
Released October 10, 1966 (1966-10-10)
Format 7" vinyl
Recorded February 17 (17-02)September 21, 1966 (1966-09-21)
Studio United Western Recorders, CBS Columbia Square, Gold Star Studios, and Sunset Sound Recorders, Hollywood
Genre
Length 3:35
Label Capitol
Writer(s)
Producer(s) Brian Wilson
The Beach Boys singles chronology
"Wouldn't It Be Nice"
(1966)
"Good Vibrations"
(1966)
"Then I Kissed Her"
(1967)
Smiley Smile track listing
"Little Pad"
(5)
"Good Vibrations"
(6)
"With Me Tonight"
(7)
Music video
"Good Vibrations" on YouTube
Music sample
"Good Vibrations"
Song by The Beach Boys from the album The Smile Sessions
Released October 31, 2011 (2011-10-31)
Length 4:15
Label Capitol
Writer(s)
Producer(s) Brian Wilson
Good Vibrations: 40th Anniversary Edition
EP by The Beach Boys
Released June 27, 2006 (2006-06-27)
Recorded 1966
Length 24:31
Label Capitol
Producer Brian Wilson
The Beach Boys chronology
Songs from Here & Back
(2006)
Good Vibrations: 40th Anniversary Edition
(2006)
The Warmth of the Sun
(2007)
External video
Brian Wilson talks about "Good Vibrations", YouTube video

"Good Vibrations" is a song composed and produced by Brian Wilson with words by Mike Love for the American rock band the Beach Boys. Released as a single in October 1966, it was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the most costly single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.

Initiated during the sessions for the album Pet Sounds (1966), it was not taken from or issued as a lead single for an album, but rather as a stand-alone single, with the Pet Sounds instrumental "Let's Go Away for Awhile" as a B-side. It was envisioned for the unfinished album Smile, but instead appeared on the substitute LP Smiley Smile (1967). Most of the song was developed as it was recorded. Its title derived from Wilson's fascination with cosmic vibrations, after his mother once told him as a child that dogs sometimes bark at people in response to their "bad vibrations". He used the concept to suggest extrasensory perception, while Love's lyrics were inspired by the Flower Power movement that was then burgeoning in Southern California.

The making of "Good Vibrations" was unprecedented for any kind of recording, with a total production cost estimated between $50,000 and $75,000 (equivalent to $370,000 and $550,000 in 2016). Building upon the multi-layered approach he had formulated with Pet Sounds, Wilson recorded the song in different sections at four Hollywood studios from February to September 1966, resulting in a cut-up mosaic of several musical episodes marked by disjunctive key and modal shifts. Band publicist Derek Taylor dubbed the unusual work a "pocket symphony". It contained previously untried mixes of instruments, including jaw harp and Electro-Theremin, and was the first pop hit to have a cello playing juddering rhythms.


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