Go West is the title of the first exhibition by Stuckist artists in a commercial London West End gallery. It was staged in Spectrum London gallery in October 2006. The show attracted media interest for its location, for the use of a painting satirising Sir Nicholas Serota, Director of the Tate gallery, and for two paintings of a stripper by Charles Thomson based on his former wife, artist Stella Vine.
The Stuckists had previously been seen as art world outsiders, but with the backing of a West End gallery in a "major exhibition" became "major players" in the art world. Ten leading Stuckist artists were exhibited.
Royden Prior, the director of Spectrum London, said, "These artists are good and are part of history. Get past the art politics and look at the work."
Art critic Edward Lucie-Smith wrote in an essay for the show:
Rachel Campbell-Johnston, art critic of The Times, condemned the work as "empty of anything much" and "formulaic". Nevertheless, Thomson's and Joe Machine's paintings sold out, before the show opened, to buyers from the UK, Japan and the US.
Exhibition dates: October 6 – November 4, 2006.
It was suggested that the exhibition of Thomson's painting, Sir Nicholas Serota Makes an Acquisitions Decision, satirising Sir Nicholas Serota, displayed in the gallery window (see image above), could be seen as revenge for the Tate's rejection of a Stuckist donation of 175 paintings the previous year.
Thomson was also accused of revenge for exhibiting two paintings of strippers, which he said were based on his ex-wife and one-time stripper, Stella Vine. She was briefly a member of the Stuckists group at the time of their marriage in 2001, but has since attracted solo attention. Rivalry increased when her work was promoted by Charles Saatchi in 2004. Thomson denied any intention of vengeance with the paintings and said that "I would prefer her to enjoy these, as I still enjoy her art".