Giuseppe Tominz | |
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Self-portrait
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Born | 6 July 1790 Gorizia |
Died | 22 April 1866 Gradiscutta in Val Vipacco |
Nationality | Italian and Slovenian |
Giuseppe Tominz also known as Jožef Tominc (6 July 1790 – 22 April 1866) was an Italian painter of Italian and Slovenian origin, who lived and worked in the Austrian Empire and in ISlovenia. He was one of the most prominent portraitists of the Biedermeier period. He became renowned for his realistic portraits. He worked mostly in the Austrian Littoral, but also produced religious paintings in Carniola and in Croatia. His handiwork can be seen in the Holy Mary Church in Stoliv. Nowadays, many of his works are on display in the Revoltella Museum in Trieste, some in the National Gallery of Slovenia in Ljubljana, National Museum of Serbia and in the Museum of History and Art of Gorizia.
Giuseppe Tominz was born in Gorizia as the second of eleven children of Ivano Tominz, an Italian dealer in ironware of distant Slovene origin, and his wife Maria Anna Giacchini, a native Italian woman of Udine. He was educated in an Italian-speaking environment. He attended a primary school run by Piarists in Gorizia, where he began to learn to paint in the third year. He received his first training as a painter from the local artist Karel Keber and probably also from the painter Franz Caucig. In 1809, he left for Rome with the help of Austrian Archduchess Maria Anna, sister of Emperor Francis I of Austria, and count Francesco della Torre. In Rome, he studied painting with Domenico Conti Bazzani and in the Scuola del Nudo at the Accademia di San Luca. In 1814, he was awarded a silver medal for his drawing Study of the Apostople. Two years later, he married Maria Ricci and in 1818, have two son Augusto and Alfredo will become the first director of the Revoltella Museum in Trieste. In the same year, Tominz returned with his family to Gorizia. Of his early artistic works, several anatomical studies, sketches and one of his landscapes View of Vietri, Rieti and the Salerno Bay have survived.