Giuseppe De Santis
| Giuseppe de Santis | |
|---|---|
| Born |
11 February 1917 Fondi, Latium Italy |
| Died | 16 May 1997 (aged 80) |
| Years active | 1940-1995 |
Giuseppe De Santis (11 February 1917 – 16 May 1997) was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform.
He was the brother of Italian cinematographer Pasqualino De Santis. His wife was Gordana Miletic, a Yugoslav actress and former ballet dancer.
De Santis was born in Fondi, Lazio. He was a member of the Italian Communist Party (PCI) and fought with the anti-German Resistance in Rome during World War II.
He was first a student of philosophy and literature before entering Rome's Centro Sperimentale di Cinematografia. While working as a journalist for Cinema magazine, De Santis became, under the influence of Cesare Zavattini, a major proponent of the early neorealist filmmakers who were trying to make films that mirrored the simple and tragic realities of proletarian life using location shooting and nonprofessional actors.
In 1942, De Santis collaborated on the script for Ossessione, Luchino Visconti's debut film, which is usually considered one of the first neo-realist films.
While still working for Cinema magazine, he increasingly worked as a screenwriter and assistant director until 1947 when he made his own directorial debut with Caccia Tragica (Tragic Hunt). Like the two films to follow, it was a sincere call for better living conditions for the Italian working class and agrarian workers. Issues of corruption, the black market, collaboration with the Germans, and treatment of ex-soldiers were also introduced in the film.
His third film Bitter Rice (1950), the story of a young woman working in the rice fields who must choose between two socially disparate suitors, made a star of Silvana Mangano and was a landmark of the new cinematic style. It also earned De Santis an Academy Award nomination for Best Original Story.
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