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Ghost Town (The Specials song)

"Ghost Town"
The Specials-Ghost Town-UK single.jpg
UK single cover of Ghost Town
Single by The Specials
B-side "Why?"
"Friday Night, Saturday Morning"
Released 12 June 1981 (1981-06-12)
Format 7" single, 12" single
Recorded 3–9 April and 15–17 April 1981 at Woodbine Studios, Leamington Spa and John Collins' home, Tottenham
Genre 2-Tone
Length 3:40
Label 2 Tone
Writer(s) Jerry Dammers
Producer(s) John Collins
The Specials singles chronology
"Do Nothing"
(1980)
"Ghost Town"
(1981)
"The Boiler"
(1982)
Music sample

"Ghost Town" is a song by the British 2 Tone band The Specials, released on 12 June 1981. The song spent three weeks at number one and 10 weeks in total in the top 40 of the UK Singles Chart. Addressing themes of urban decay, deindustrialisation, unemployment and violence in inner cities, the song is remembered for being a hit at the same time as riots were occurring in British cities. Internal tensions within the band were also coming to a head when the single was being recorded, resulting in the song being the last single recorded by the original seven members of the group before splitting up. However, the song was hailed by the contemporary UK music press as a major piece of popular social commentary, and all three of the major UK music magazines of the time awarded "Ghost Town" the accolade of "Single of the Year" for 1981.

The tour for the group's More Specials album in autumn 1980 had been a fraught experience: already tired from a long touring schedule and with several band members at odds with keyboardist and band leader Jerry Dammers over his decision to incorporate "muzak" keyboard sounds on the album, several of the gigs descended into audience violence. As they travelled around the country the band witnessed sights that summed up the depressed mood of a country gripped by recession. In 2002 Dammers told The Guardian, "You travelled from town to town and what was happening was terrible. In Liverpool, all the shops were shuttered up, everything was closing down... We could actually see it by touring around. You could see that frustration and anger in the audience. In Glasgow, there were these little old ladies on the streets selling all their household goods, their cups and saucers. It was unbelievable. It was clear that something was very, very wrong."


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