Get Up With It | ||||
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Compilation album by Miles Davis | ||||
Released | November 22, 1974 | |||
Recorded | May 1970 - October 1974 | |||
Studio | Columbia Studios B and E in New York City | |||
Genre | Jazz fusion,worldbeat | |||
Length | 123:52 | |||
Label | Columbia | |||
Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 5/5 |
MusicHound Jazz | 4/5 |
Penguin Guide to Jazz | |
The Rolling Stone Album Guide | |
Rolling Stone Jazz Record Guide | |
The Village Voice | A− |
Get Up with It is a compilation album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
One track, "Honky Tonk," was recorded in 1970 with musicians such as John McLaughlin and Herbie Hancock. "Red China Blues" had been recorded in 1972 before On the Corner, while "Rated X" and "Billy Preston" were recorded later that year with the band heard on In Concert. The remaining tracks were from 1973 and 1974 sessions with his current band including Pete Cosey.
"He Loved Him Madly" was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences "I love you madly." English musician Brian Eno cited it as a lasting influence on his own work.
In a contemporary review, Rolling Stone magazine's Stephen Davis praised Davis' adventurousness and direction of his rhythm band, whom he called a "who's who of Seventies jazz-rock".Robert Christgau of The Village Voice wrote that, although Davis' recent albums have sounded slapdash with "noodling over a pick-up rhythm section," he still plays Get Up with It "since it contains over two hours of what sometimes sounds like bullshit: it's not exactly music to fill the mind. Just the room." In a 1981 review, Christgau wrote that only two of the six shorter songs—"Maiyisha" and "Honky Tonk"—make up "more than good" background music, but the two long pieces "are brilliant: 'He Loved Him Madly,' a tribute to Duke Ellington as elegant African internationalist, and 'Calypso Frelimo,' a Caribbean dance broken into sections that seem to follow with preordained emotional logic."