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Get Happy!!

Get Happy!!
Elvis Costello - Get Happy!!.jpg
Studio album by Elvis Costello and the Attractions
Released 15 February 1980
Recorded October 1979
Genre New wave, soul
Length 48:08
Label F-Beat Records UK
Columbia US
Demon/Rykodisc (29 April 1994 Reissue)
Rhino (9 September 2003 Reissue)
Hip-O (1 May 2007 Reissue)
Producer Nick Lowe
Elvis Costello and the Attractions chronology
Armed Forces
(1979)Armed Forces1979
Get Happy!!
(1980)
Taking Liberties
(1980)Taking Liberties1980
Professional ratings
Review scores
Source Rating
AllMusic 5/5 stars
Blender 5/5 stars
Chicago Tribune 4/4 stars
Christgau's Record Guide B
Entertainment Weekly A+
Rolling Stone 4/5 stars
The Rolling Stone Album Guide 4.5/5 stars
Select 4/5
Sounds 5/5 stars
Uncut 5/5 stars

Get Happy!! is a studio album by Elvis Costello and the Attractions. The fourth album by Elvis Costello, his third with the Attractions, it is notable for being a dramatic break in tone from Costello's three previous albums, and for being heavily influenced by R&B, ska and soul music. The cover art was intentionally designed to have a "retro" feel, to look like the cover of an old LP with ring wear on both front and back.

Like its predecessor Armed Forces, it was commercially successful, charting at number 11 in the US and number 2 in the UK, where it went gold. It was placed at No. 11 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.

During the American concert tour for Armed Forces in April 1979, Costello engaged in a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio, Holiday Inn hotel bar, during which he referred to James Brown as a "jive-arsed nigger," then upped the ante by pronouncing Ray Charles a "blind, ignorant nigger." Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press.

It has been suggested that the R&B influence on the album was an attempt to atone for his comments, but as Costello writes in the liner notes for the 2002 Rhino version,

The band had played some of the songs during the "Armed Funk Tour" and had rehearsed them for the record, but were dissatisfied with the sound, feeling it was too "new wave." (Some of the original versions can be found on disc 2 of the Rhino release.) They then went back and re-arranged many of the songs using an R&B sound. On their US tours, Costello had been able to find a number of R&B records of his favourite artists and having been listening to them during the rehearsals, decided to emulate the feel of those songs.


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Wikipedia

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