Georgina Burne Hetley

Georgina Burne Hetley (née McKellar, 27 May 1832 – 29 August 1898) was a New Zealand artist. She was born in Battersea, Surrey, England on 27 May 1832.

Hetley was the second daughter of Annette and Dugald McKellar, a doctor. The family moved to Madeira when Hetley was around 10 years old, leaving in 1852 for New Zealand when Dugald McKellar died. They bought a block of about fifty acres of land at Omata, six miles south of New Plymouth, calling their farm Fernlea. Hetley subsequently married a fellow settler Charles Hetly in the Omata church on 2 June 1856 and moved to Brookwood farm. Just prior to their first wedding anniversary Charles died, leaving Hetly with a newborn son.

Hetley lived in Taranaki until 1860, and while she was there she began doing sketches and watercolours of the two farms and of urban scenes in New Plymouth, Waikato, and Auckland. She and her son moved to Auckland by 1879.

In 1879 Hetley exhibited with the Auckland Society of Artists, and in 1885 she won first prize at the New Zealand Industrial Exhibition in Wellington for her paintings of indigenous plants. Following a lecture about a botanical trip to Nelson, given by Thomas Frederic Cheeseman at the Auckland Museum in 1881, and with considerable encouragement from him, Hetley was inspired to attempt to do for the flora of New Zealand what Dr Walter Buller did for its birds. By 1884, she had started work on a book of native plants, The Native Flowers of New Zealand Illustrated in Colours, embarking (with the backing from the government and the Union Steamship Company) on a trip around New Zealand to obtain live specimens.

Hetley went to England to seek a publisher, receiving assistance along the way from authorities at Kew, and the chromolithographers were ultimately produced in 1888 by Leighton Brothers. The plates also had the distinction of being published in a French edition a year later. The inclusion in the book of Loranthus adamsii is notable as this native mistletoe was discovered by Mr James Adams of the Thames goldfields shortly before it became extinct. Without the work of botanical artists such as Hetley there would be no record of what this plant truly looked like.

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