Georgian literature

The culture of Georgia has evolved over the country's long history, providing it with a unique national culture and a strong literary tradition based on the Georgian language and alphabet. This has provided a strong sense of national identity that has helped to preserve Georgian distinctiveness despite repeated periods of foreign occupation.

The Georgian alphabet is traditionally said to have been invented in the 3rd century BC and reformed by King Parnavaz I of Iberia in 284 BC. Most modern scholarship puts its origin date at some time in the 5th century AD, when the earliest examples can be found.

Georgia's medieval culture was greatly influenced by Eastern Orthodox Christianity and the Georgian Orthodox and Apostolic Church, which promoted and often sponsored the creation of many works of religious devotion. These included churches and monasteries, works of art such as icons, and hagiographies of Georgian saints. In addition, many secular works of national history, mythology, and hagiography were also written.

Medieval Georgian icons are renowned as being among the finest creations of Orthodox religious art. Notable examples include:

Well-known monuments of Georgian Christian architecture include:

Well-known Georgian painters were Damiane (13th century), Anania (15th century), Mamuka Tavakarashvili (17th century), etc.

The works of the famous Georgian goldsmiths, Beka and Beshken Opizari (11th century), are outstanding contributions to world art.

Important Georgian literary works of the pre-Christian period are:

Notable Georgian written works from the medieval period include:

Starting from the early 16th century, although certain aspects of more recent times were already incorporated since the 12th century, until the course of the 19th century, Georgian culture became significantly influenced by Persian culture. Though notably more visibly amongst the higher classes, Persian cultural aspects were incorporated amongst the already existing Georgian columns, especially painting, architecture, and literature. The French traveller Jean Chardin who visited Georgia in 1672 noted that the Georgians followed Persian customs. Since many Georgian kings, princes, and nobles were either born or raised in mainland Iran, it is not susprising that Persian cultural aspects spread in Georgia.

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Wikipedia