George Wallis
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George Wallis FSA |
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Self-portrait
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| Born | 1811 |
| Died | 1891 |
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| Known for | First Keeper of Fine Art, South Kensington Museum |
| Children | |
| Awards | FSA |
George Wallis FSA (1811–1891) was an artist, museum curator and art educator. He was the first Keeper of Fine Art Collection at South Kensington Museum (later the Victoria & Albert Museum) in London.
George Wallis, son of John Wallis (1783–1818) and his wife Mary, née Price (1784–1864), was born at Wolverhampton on 8 June 1811. His father died early, and George Wallis was adopted by his grand-uncle, John Worralow, who was a famous maker of steel-jewellery at the time of George III. George Wallis was educated at the Grammar School from 1825 to 1827 and received initial training in japanned ware painting. He practised as an artist and art educator in Wolverhampton from 1827 to 1832, but then left for Manchester where he lived the next five years.
He attended the Royal Manchester Institution; practised painting; became connected with the local Manchester industry, and it was then and there that he met the great engineer Joseph Whitworth (1803–1887) who became his lifelong friend.
In 1837, he returned to Wolverhampton and worked for local japanners Ryton and Walton painting the centres of the tea trays. He designed the shape of a tray which was named "Victoria" after the young queen and became very popular.
In 1841, Wallis moved to London to join the School of Design at Somerset House where he won one of the six scholarships offered by the Board of Trade.
From 1843, he served as Headmaster in several Schools of Design organised by the Government.
In 1843 he was Headmaster of the Spitalfields School of Design. He left it less than after one year.
Wallis was Headmaster of Manchester School of Design in 1844–1846.
In two years from the time of Mr. Wallis taking the charge, the funds of the school were flourishing; the interest taken in it by the public was great, and nearly half the Institution was occupied by the pupils, while the applications for admission were more numerous than could be accommodated. Under this management the public, who care little for abstract art, were taught the close connexion between the instruction of the School of Design and their private pursuits.
Among his students were Welsh artist Clarence Whaite who became a lifelong friend, and William Muckley.
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