George Gittoes
| George Gittoes | |
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George Gittoes
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| Born |
7 December 1949 (age 67) Sydney, Australia |
| Occupation | Film director, producer, writer and artist |
| Years active | 1970–present |
| Website | gittoes |
George Noel Gittoes (born 7 December 1949) is an Australian artist, film producer, director and writer. In 1970, he was a founder of the Yellow House Artist Collective in Sydney. After the Yellow House finished, he established himself in Bundeena and since then has produced a large and varied output of drawings, paintings, films, and writings. Gittoes’ work has consistently expressed his social, political and humanitarian concern at the effects of injustice and conflict. Until the mid-1980s, this work was chiefly done in Australia. But in 1986 he travelled to Nicaragua, and since then the focus of Gittoes’ work has been largely international. He has travelled to and worked in many regions of conflict, including the Philippines, Somalia, Cambodia, Rwanda, Bosnia, Bougainville, and South Africa. In recent years his work has especially centred on the Middle East, with repeated visits to Israel and Palestine, Iraq, and Afghanistan. In 2011, he established a new Yellow House, a multidisciplinary arts centre in Jalalabad, Afghanistan. Among many prizes, Gittoes has twice been awarded the Blake Prize for Religious Art.
Gittoes was born 1949 in Brighton-le-Sands, New South Wales and grew up in nearby Rockdale, New South Wales, both southern suburbs of Sydney, Australia. His family, though not rich, was comfortably middle class. Gittoes’ maternal grandfather, who lived in the area, was a semi-professional racehorse trainer, and was a significant influence in Gittoes’ childhood. Gittoes' father, Claude, was a public servant, who rose to be Secretary of the Department of Main Roads. His mother, Joyce, was an artist and potter. Both parents encouraged George and his sister, Pamela, 7 years his elder, as artists. Gittoes completed his schooling at Kingsgrove North High School, and began an Arts degree at Sydney University. However, an encounter with the visiting American art critic Clement Greenberg led to Gittoes' abandoning his studies in order to spend time in America. In New York Gittoes came under the influence of the social realist artist, Joe Delaney, whose work was influenced by his involvement in the civil rights movement. Gittoes’ art similarly veered towards the political, and in the US he began the Hotel Kennedy Suite, inspired by opposition to the Vietnam War.
Returning to Australia in late 1969, a meeting with Martin Sharp led to the establishment of the Yellow House Artist Collective near Kings Cross, New South Wales. Gittoes worked with another friend, Bruce Goold, to transform a two-storey building in Macleay Street, Potts Point, into a space in which artists, film-makers and performers could both live and exhibit their work. In an Australia whose culture had been seen by many as stifled and colonial, the Yellow House was a revelation. Gittoes’ own particular contribution was a psychedelic Puppet Theatre, in which he and assistants performed to enthusiastic audiences, using glove puppets Gittoes himself made. In 1971 Gittoes, who regarded his work as fine art and was not completely in sympathy with the counter-cultural communalism of others in the Yellow House, broke away from the group. He had also been very deeply affected by the suicide of his girlfriend, Marie Briebauer. He had met Briebauer in San Francisco, and eventually she followed him to Sydney. But she was facing up to difficult issues with her family, and was not completely accepted by the Yellow House community. Her death was the first great crisis in Gittoes’ life.
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