Georg Bleibtreu (27 March 1828–16 October 1892), German painter of military and historical scenes.
Born in Xanten on 27 March 1828), Bleibtreu was a painter, lithographer, designer and 'graveur sur bois'. He was a member of the Berlin Academy, receiving two gold medals for his works; he also received a medal at Vienna in 1873. Like many historical painters of the 19th century, he studied at the Düsseldorf Academy between 1843 and 1848, and also with the historical and military painter, Theodore Hildebrandt. He is associated with the Düsseldorf school of painting. In 1858 he moved to Berlin.
His reputation was built on large canvasses depicting the Prussian and German armies in battle, and he painted numerous scenes of the Schleswig-Holstein War of 1864, the Austro-Prussian War of 1866, and the Franco-Prussian War. The background work to these paintings was done in the field as the artist accompanied the armies; in 1866, he traveled in the suite of Prince Frederick Charles until August when he returned to Berlin with a portfolio of sketches taken at the front. And in 1870, he accompanied the Crown Prince. Following the successful war against Denmark, the Prussian king invited artists in December 1864 to compete for a prize of 10,000 thaler by painting a large canvas representing the victory at Düppel, the winning piece to by sent to the National Gallery in Berlin. One of the requirements was that artists had to be familiar with the subject and had experienced the war. Bleibtreu's piece was bought by the king in 1865, and the latter also commissioned the artist to paint the Crossing of the Alsen.
His painting of the Battle of Königgrätz depicted King William on a black horse with his suite, Bismarck, Moltke, Roon, and others, watching the battle; in the foreground is a detachment of captured Austrians. This style pervaded many of Bleibtreu's works where the focus was on the commander, who was often a member of the German royal family, surrounded by his soldiers in battle; this was often because the painting was a commission from the personage depicted.