Gene Gauntier | |
---|---|
Born |
Kansas City, Missouri, U.S. |
May 17, 1885
Died | December 18, 1966 Cuernavaca, Mexico |
(aged 81)
Occupation | Screenwriter |
Nationality | American |
Spouse | Jack J. Clark (1912–18) |
Gene Gauntier (May 17, 1885 – December 18, 1966) was an American screenwriter and actress who was one of the pioneers of the motion picture industry. A writer, director and actress in films from early 1906 to 1920, she wrote screenplays for 31 films. She performed in 28 films and is credited as the director of The Grandmother (1909).
Born as Eugenia Gauntier Liggett in Kansas City, Missouri, to James Wesley Liggett and Ada J. Gauntier, she made her way to New York City where she began her career in live theater using the stage name "Gene Gauntier," and first appeared in films between acting jobs with stock company tours. She remembered in her 1928 autobiography Blazing the Trail:
“My funds were running low, and in a vague way I thought of the new opening for actors – moving pictures, but, like the rest of the legitimate profession, I looked on them with contempt and felt sure that my prestige would be lowered if I worked in them."
In the summer of 1906, Gene became involved in the fledgling movie business, working for Kalem Studios in the silent film era. She was literally thrown into her first screen assignment when she was hired for a daredevil stunt, being filmed as a damsel thrown into a river. Gauntier became Kalem's star actress, dubbed by the studio as the "Kalem Girl," who also became their most productive screenwriter in collaboration with director Sidney Olcott on numerous film projects. She quickly realized the enormous potential of the movies, and began adding to her small salary as an actress by writing screenplays.
Tom Sawyer was the first of over three hundred screenplays Gene Gauntier either wrote and produced or sold. In 1907, she wrote the script for The Days of '61, the first film ever made about the American Civil War. That same year she wrote the screenplay and acted in the first Ben Hur film.
At the time, there was no copyright law to protect authors, and she wrote in her autobiography about how the film industry infringed upon everything. As a result of the production of Ben Hur, Harper and Brothers and the author's estate (General Lew Wallace) brought suit against the Kalem Company, the Motion Picture Patents Company, and Gauntier for copyright infringement. The suit, which eventually settled the question of American copyright law for all time, took years to make its way through the court system but the United States Supreme Court finally ruled in favor of Harpers and Wallace, and against the film company.