Gaspare Pacchierotti

Gaspare Pacchierotti (21 May 1740 in Fabriano (Marche) – 28 October 1821 in Padua) was a great mezzo-soprano castrato, and one of the most famous singers of his time.

Details of his early life are scarce. It is possible that he studied with Mario Bittoni, maestro di cappella in the cathedral of his home city. Under the stage name of Porfirio Pacchierotti, he made his début in Baldassare Galuppi's opera Le nozze di Dorina at the Teatro dei Nobili in Perugia during the carnival season of 1759, playing, as young castrati often did, a female role: Livietta. He made further appearances under his assumed name in Venice (1764) and Innsbruck (1765). On this latter occasion he sang Acronte in Hasse's Romolo ed Ersilia on the occasion of the marriage of Peter Leopold of Habsburg-Lorraine, future Grand Duke of Tuscany and Holy Roman Emperor, and the Infanta Maria Luisa of Spain. Here, for the first time, he encountered the famous castrato Gaetano Guadagni, then at the height of his career.

By the late 1760s Pacchierotti was well established in Venice, both as an opera singer and member of the choir of St Mark's, where Galuppi was Director of Music. His first success as primo uomo (lead male singer) was in that composer's Il re pastore, in which he first sang the role of Agenore at the Teatro San Benedetto, Venice, in the summer of 1769. In that city he also received further vocal tuition from Ferdinando Bertoni, the composer and singing-teacher, who became a lifelong friend.

In 1770, he was at Palermo, where he sang alongside the famous and notoriously capricious soprano, Caterina Gabrielli, whose every feat of virtuosity he not only equalled but so far surpassed that he earned that redoubtable lady's admiration. The following year saw him performing at the Teatro San Carlo in Naples, perhaps the most famous opera house in Italy at this time. Here he remained for some five years, performing in twenty operas. His prima donna was often Anna de Amicis, and soon their respective adoring fans caused the sparks to fly. One supporter of the soprano, an officer in the Royal Guard called Francesco Ruffo, saw fit to insult Pacchierotti publicly, and a duel was fought as a result. Because of Ruffo's royal connection (and also because, as a nobleman, he was immune from prosecution), the poor singer spent several days in prison, but apparently the noble youth himself obtained his release. There is another version of this story in which Ruffo was the lover (cavalier servente) of a certain Marchesa Santa Marca, who had become infatuated with Pacchierotti on hearing him sing in Schuster's Didone abbandonata. His honour insulted, Ruffo again challenged the singer to a duel, and this time it was none other than the King of Naples who ordered Gaspare to be released from prison.

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