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Gaslight Square


Gaslight Square in St. Louis flourished from the early nineteen fifties into the mid-sixties. This entertainment district was located in an area close to the intersection of Olive and Boyle Streets, near the eastern part of what is now known as the Central West End neighborhood and close to the current Grand Center arts and theater district and the adjoining Midtown neighborhood.

Gaslight Square was the name given to the entertainment district built in the mid-1950s. The district was known for its gas lit street lamps and ornate Victorian style architecture, reflective of the 1800s and the riverboat era around the turn of the century. Gaslight Square quickly became a thriving entertainment district that could be compared somewhat to the Delmar Loop area of St. Louis today. The Square occupies the area surrounding Olive and Boyle Streets in the Central West End. The district was popular for music, poetry, comedy, formal and informal dining, and dancing. It was the home to many clubs and restaurants, and entertainment venues.

Brothers Dick and Paul Mutrux are considered by many to be the pioneers of Gaslight Square, being proprietors of one of the first saloons in the area, the Gaslight. Another saloon, the Golden Eagle, soon opened, and proprietor Jay Landesman relocated his extremely popular cabaret theatre, the Crystal Palace, to the area as well. Early business owners in Gaslight Square raided recently demolished property in downtown St. Louis to salvage unique items such as church pews, chandeliers, recycled stained glass, and marble bathtubs. These resourceful decorations gave Gaslight Square a youthful, eclectic feel that attracted young beatniks and wealthy customers alike. At its height, Gaslight Square was home to approximately fifty businesses, including taverns, cabarets, restaurants, sidewalk cafes, and antique shops. These businesses provided an array of unique entertainment that combined elements of the past and present. The Opera House had a façade covered in croquet balls and was a venue for Dixieland jazz. The Roaring Twenties was a speakeasy themed bar that included a stage show, mock raids, and staged gangster fights. The Natchez Queen was decorated to resemble a riverboat with live ragtime music inside. Mr.D's, highlighted a Piano Bar featuring Ceil Clayton where many of the Gaslight musicians would come and sing along. By 1962, property values had tripled in Gaslight Square.


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