Garbage (album)
| Garbage | ||||
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| Studio album by Garbage | ||||
| Released | August 15, 1995 | |||
| Recorded | April 1994 – May 1995 | |||
| Studio |
Smart Studios (Madison, Wisconsin) |
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| Genre | ||||
| Length | 50:51 | |||
| Label | Mushroom | |||
| Producer | Garbage | |||
| Garbage chronology | ||||
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| Singles from Garbage | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Encyclopedia of Popular Music |  |
| Entertainment Weekly | A |
| The Guardian | |
| MusicHound Rock | 4/5 |
| NME | 8/10 |
| Q | |
| Rolling Stone | |
| Select | 4/5 |
| Spin | 7/10 |
Garbage is the debut studio album by American rock band Garbage, released on August 15, 1995 by Mushroom Records. The album was met with critical acclaim and was viewed by some journalists as an innovative recording for its time. It reached number 20 on the US Billboard 200 and number six on the UK Albums Chart, while reaching the top 20 and receiving multi-platinum certifications in several territories. The album's success was helped by the band promoting it on a year-long tour, including playing on the European festival circuit and supporting the Smashing Pumpkins throughout 1996, as well as by a run of increasingly successful singles culminating with "Stupid Girl", which received Grammy Award nominations for Best Rock Song and Best Rock Performance by a Duo or Group in 1997.
In October 2015, the album was reissued to mark its 20th anniversary, featuring remastered tracks from the original analog tapes, as well as remixes and previously unreleased alternate versions of songs from the album.
In 1983, Butch Vig and Steve Marker founded Smart Studios in Madison, Wisconsin, and Vig's production work brought him to the attention of Sub Pop. Vig's old band Spooner reunited in 1990 and released another record, but disbanded in 1993 as Vig and Marker's career as producers gained strength. In 1994, as Vig became "kind of burned out on doing really long records", he got together with Duke Erikson and Marker, and they started producing remixes for acts such as U2, Depeche Mode, Nine Inch Nails and House of Pain, featuring different instrumentation, and often highlighting new guitar hooks and bass grooves. The experience inspired the three men to form a band, where they "wanted to take that remix sensibility and somehow translate it into all of the possibilities of a band setup." An early comment that their work sounded "like garbage" inspired the band's name.
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