G. David Thompson
| G. David Thompson | |
|---|---|
| Born |
George David Thompson March 20, 1899 Newark, Ohio, US |
| Died | June 26, 1965 (aged 66) Pittsburgh, Pennsylvania, US |
| Residence | Stone's Throw, Whitehall, Pittsburgh |
| Nationality | American |
| Alma mater | Carnegie Institute of Technology |
| Occupation | investment banker, industrialist, and modern art collector |
| Spouse(s) | Helene Thompson |
| Children | G. David Thompson Jr (d. 1958) Sally Thompson |
George David Thompson (March 20, 1899 – June 26, 1965) was an American investment banker, industrialist, and modern art collector, based in Pittsburgh. He started as a banker, but by 1945 was running four steelmakers. In 1959 Pittsburgh's Carnegie Museum of Art rejected his offer of over 600 artworks, unwilling to build a gallery bearing his name, and he gradually sold much of his collection, including 88 works by Paul Klee and 70 by Alberto Giacometti, although he left the Carnegie Museum over 100 artworks when he died in 1965.
George David Thompson was born in Newark, Ohio in 1899, and grew up in Indiana, going to high school in Peru, Indiana. He gave up on "a promising career as a singer", and instead obtained an engineering degree from the Carnegie Institute of Technology in 1920.
He worked in New York City as an investment banker. In 1933, Thompson became a financier, co-founding Thompson and Taylor, which took control of a number of steelmakers in the Great Depression, including the Pittsburgh Spring Steel Company and the Pittsburgh Steel Foundry Company. In 1945, he was in charge of four steel companies.
David Rockefeller called him, "a hard taskmaster and a tough negotiator".
Thompson made his first serious purchase, a Paul Klee painting, n 1928. By the age of 60, Thompson had acquired at least 600 works of modern art, having already given Le Fumeur by Jean Metzinger to the Carnegie Museum of Art, Pittsburgh, Pennsylvania in 1953.
Thompson wanted his collection to stay in Pittsburgh. However, in 1959 Pittsburgh's Carnegie Museum of Art rejected his offer, which was on condition that a building bearing his name was constructed to house the collection. According to the Pittsburgh Quarterly, this "decision not to build a Thompson building clearly made Beyeler's fortune, and ironically, it is Beyeler who has a museum containing his collection and bearing his name in Basel, Switzerland." According to the Quarterly, which estimated his collection as being worth US$350 million in 2006, had the donation been accepted, then "the arts world of Pittsburgh would have been a different place".
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