From an Abandoned Work

From An Abandoned Work, a " for radio" by Samuel Beckett, was first broadcast on BBC Radio 3’s Third Programme on Saturday, 14 December 1957 together with a selection from the novel Molloy. Donald McWhinnie, who already had a great success with All That Fall, directed the Irish actor Patrick Magee.

The work began as "a short prose piece, written about 1954-55, a step towards a novel soon abandoned" and Beckett's "first text written in English since Watt." Though initially published as a theater piece by the British publisher Faber and Faber following its performance on the BBC, it is now "generally anthologized with Beckett's short fiction".

Translated into French by Beckett with Ludovic and Agnès Janvier, it was published as "D'un ouvrage abandonné" by Les Éditions de Minuit in 1967 and included in Têtes-mortes, a collection of short stories.

The first person narrative revolves around three days in the early life of a neurotic old man. "None of the days is described clearly or coherently and few details are given for the second and third days." It is unlikely that the days are actually chronologically contiguous although the general framework does tend to be, digressions aside.

The story begins with the old man remembering back to when he was young, probably a young man rather than a child per se (based on the assumption that the man is modelled on Beckett himself who only came to appreciate Milton in his early twenties whilst at Trinity College). He begins arbitrarily; at least he maintains, "any other [day] would have done". Despite feeling unwell he rises early and leaves the house but not so early that his mother isn’t able to catch his eye from her window. He appears unclear in his own head if she is even waving at him – he’s already at a fair distance when he notices her – and puts forth the notion, calculated to reduce any significance that could be attributed to her actions, that she may simply have been exercising, her latest fad, and not really trying to communicate anything at all.

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