Frankenstein Created Woman | |
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Directed by | Terence Fisher |
Produced by | Anthony Nelson Keys |
Written by | John Elder (Anthony Hinds) |
Starring |
Peter Cushing Susan Denberg Thorley Walters |
Music by | James Bernard |
Cinematography | Arthur Grant |
Edited by | Spencer Reeve |
Production
company |
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Distributed by |
Warner-Pathé (UK) 20th Century-Fox (US) |
Release date
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Running time
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86 min. / USA: 92 min. |
Country | United Kingdom |
Language | English |
Budget | £140,000 |
Box office | 457,019 admissions (France) |
Frankenstein Created Woman is a 1967 British Hammer Horror film directed by Terence Fisher. It stars Peter Cushing as Baron Frankenstein and Susan Denberg as his new creation. It is the fourth film in Hammer's Frankenstein series.
Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the question of the soul, and its relationship to the body.
A man is taken from a cart and taunts the police and the priest escorting him. He is sentenced to death by the guillotine for murder. From the place of execution, the man sees his son, Hans, and begs that he should not see him die. The priest approaches the boy but Hans runs away. The priest returns to the last rites. From a distance, Hans watches as his father is positioned under the blade. He yells, "Papa!" Then the blade falls, and Hans flees.
Years later, Hans Werner (Robert Morris) is working as an assistant to Baron Victor Frankenstein (Peter Cushing), helped by Dr Hertz (Thorley Walters) who is in the process of discovering a way of trapping the soul of a recently deceased person. Frankenstein believes he can transfer that soul into another recently deceased body to restore it to life.
Hans is now also the lover of Christina (Susan Denberg), daughter of innkeeper Herr Kleve. Christina's entire left side is disfigured and partly paralysed. Young dandies Anton (Peter Blythe), Johann (Derek Fowlds) and Karl (Barry Warren) frequent Kleve's inn where they taunt Christina and refuse to pay. Johann threatens to have his father revoke Kleve's license if he complains. The three insist that they be served by Christina and mock her for her deformities. The taunting angers Hans, who gets in a fight with the three of them and cuts Anton's face with a knife.