Francis Holman
| Francis Holman | |
|---|---|
| Born | 1729 Parish of St Laurence-in-Thanet, Ramsgate, England |
| Died | 29 November 1784 Wapping, London, England |
| Nationality | British |
| Known for | Marine art |
| Notable work |
Views of London shipyards and river traffic, and naval actions, for example:
|
Views of London shipyards and river traffic, and naval actions, for example:
Francis Holman (1729–1784) was a British maritime painter, little recognised during his own lifetime, but whose paintings are now sought after. He is also notable as the teacher of Thomas Luny.
He was born in Ramsgate and baptized on 14 November 1729 at St Laurence-in-Thanet, Ramsgate. He was the eldest son and second of six children of Francis Holman (1696–1739), and his wife, Anne Long (1707–1757). His father was a master mariner, and his grandfather a Ramsgate cooper. His younger brother, Captain John Holman (1733–1816), maintained the family shipping business and remained close to Francis throughout his life. Young Francis would certainly have been immersed in the maritime world during his up-bringing; the legacy of this early knowledge is a wealth of detail and accuracy in his later work.
Francis Holman lived in at least five addresses in Wapping on the Thames in London. He married, firstly, Elizabeth, and they produced 3 sons; John (b. 1757), and two more sons, both named Francis, who died in infancy. Elizabeth's death is unrecorded, but on 7 May 1781 he married, secondly, Jane Maxted (c.1736–1790). He was apparently childless when he wrote his will in 1783.
Holman's earliest works are portraits of ships, commonly commissioned for ships' captains. From 1767 to 1772 he exhibited eleven pictures at the Free Society of Artists, and he began to produce pictures of shipyards and the general life of maritime Britain in the late eighteenth century. By 1773 Holman had taken on Thomas Luny as an apprentice; Luny later became a major maritime painter in his own right.
With the American War of Independence and the strong contemporary public interest in the Royal Navy, it was natural that Holman should turn his talents towards more patriotic themes. Between 1774 and 1784 he sent seventeen pictures, mostly of the Royal Navy or sea battles, for exhibition at the Royal Academy. His most notable painting of the American War of Independence is The Moonlight Battle off Cape St Vincent, 16 January 1780 (shown right).
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