François-Joseph Talma

François Joseph Talma (15 January 1763 – 1826) was a French actor.

He was born in Paris. His father, a dentist, moved to London, and saw that his son received a good English education. François Joseph returned to Paris, where for a year and a half he himself practised dentistry. His predilection for the stage was cultivated in amateur theatricals, and on 21 November 1787 he made his debut at the Comédie-Française as Seide in Voltaire's Mahomet. His efforts from the first won approval, but for a considerable time he only obtained secondary parts.

It was as a juvenile lead that he first came to prominence, and he only gradually achieved his unrivalled position as the exponent of strong and concentrated passion. Talma was among the earliest advocates of realism in scenery and costume, being aided by his friend, the painter Jacques-Louis David. His first step in this direction was to appear in the small role of Proculus in Voltaire's Brutus, with a toga and short Roman haircut, much to the surprise of an audience accustomed to 18th century costume on stage, regardless of whether it suited the part played. He is often credited with having introduced the male Neoclassical hairstyle.

Talma possessed the physical gifts to enable him to excel, a striking appearance and a voice of beauty and power, which he gradually trained to perfection. At first somewhat stilted and monotonous in his manner, he came to be regarded as a model of simplicity. Talma married Julie Carreau, a rich and talented lady whose salon attracted the principal Girondists. The actor was an intimate friend of Napoleon Bonaparte, who delighted in his society, and even, on his return from Elba, forgave him for performing before Louis XVIII. In 1808 the emperor had taken him to Erfurt and made him play the Mort de Cesar to a company of crowned heads. Five years later he took him to Dresden.

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