Foxtrot (dance)
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| Genre | Ballroom dance |
|---|---|
| Time signature | 4/4 |
| Inventor | Harry Fox |
| Year | 1914 |
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a 4
4 time signature instead of 3
4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s, and remains practiced today.
The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who lent the dance its signature grace and style. The exact origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudeville actor Harry Fox. Two sources credit African American dancers as the source of the Foxtrot: Vernon Castle himself, and dance teacher Betty Lee. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, [at] a certain exclusive colored club".
W. C. Handy ("Father of the Blues") notes in his autobiography that his "The Memphis Blues" was the inspiration for the Foxtrot. During breaks from the fast paced Castle Walk and One-step, Vernon and Irene Castle's music director, James Reese Europe, would slowly play the Memphis Blues. The Castles were intrigued by the rhythm and Jim asked why they didn't create a slow dance to go with it. The Castles introduced what they then called the "Bunny Hug" in a magazine article. Shortly after, they went abroad and, in mid-ocean, sent a wireless to the magazine to change the name of the dance from "Bunny Hug" to the "Foxtrot." It was subsequently standardized by Arthur Murray, in whose version it began to imitate the positions of Tango.
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