Forro in the Dark | |
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Forro in the Dark performing in Los Angeles, November 2009
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Background information | |
Origin | New York, New York, USA, Brazil |
Genres | Rock, worldbeat, world music |
Years active | 2002–present |
Labels | Nat Geo Music, Nublu Records |
Associated acts | Atoms for Peace |
Website | www.forrointhedark.com |
Members |
Mauro Refosco Guilherme Monteiro Jorge Continentino |
Forro in the Dark is a New York-based collective of Brazilian expatriates that formed in 2002. The group combines the musical style of forró (pronounced "faux-HAW"), "the percussion-heavy, rhythmic dance music" of their native Brazil, with elements of rock, folk, jazz, and country.
In celebration of his birthday (October 16), Mauro Refosco invited some friends over for a forró-style jam session at Nublu, a nightclub located in the East Village district of New York City. The group was such a hit that they started a weekly residency at the club. Their public prominence increased due to their extended residency at Nublu, where they came into contact with prominent New York influence David Byrne, who helped propel further recognition for the band when they collaborated on Forro in the Dark’s 2006 album Bonfires of São João.
In November 2006, Forro in the Dark released their debut album Bonfires of São João, which includes guest performances from Bebel Gilberto, David Byrne and Miho Hatori. In regards to the album, Allmusic noted that "Forro in the Dark hang on tightly to the danceability of the music but are keen to expand the music's sonic parameters. A reggae tune, 'Limoeiro do Norte,' spotlights a wobbly flute up front, while 'Que Que Tu Fez' crosses an insistent Afro-Caribbean rhythm with flamenco handclaps, a flighty flute, and a spry vocal. Guest stars liven up the proceedings: David Byrne vocalizes exuberantly on two tracks, including 'Asa Branca,' a forro standard, and the Brazilian diva Bebel Gilberto donates a rich, sultry lead vocal to the airy ballad 'Wandering Swallow.' Miho Hatori of the band Cibo Matto further blurs the lines by bringing a Japanese pop taste to Gonzaga's 'Paraiba'…"