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Five Star Final

Five Star Final
Five Star Final 1931 poster.jpg
1931 Theatrical Poster
Directed by Mervyn LeRoy
Produced by Hal B. Wallis (uncredited)
Written by Louis Weitzenkorn (play)
Byron Morgan
Robert Lord
Starring Edward G. Robinson
Cinematography Sol Polito
Edited by Frank Ware
Production
company
Distributed by Warner Bros. Pictures
Release date
  • September 26, 1931 (1931-09-26)
Running time
89 minutes
Country United States
Language English

Five Star Final is a 1931 American Pre-Code film about crime and the excesses of tabloid journalism. The picture was written by Robert Lord and Byron Morgan from the play of the same name by Louis Weitzenkorn, directed by Mervyn LeRoy, starring Edward G. Robinson, and featuring H. B. Warner, Marian Marsh, Oscar Apfel, Aline MacMahon, Frances Starr, Ona Munson, and Boris Karloff.

The title refers to an era when competing newspapers published a series of editions during the day, in this case marking its final edition front page with five stars and the word "Final." "Five Star Final" is also a font similar to those often used in newspaper headlines.

Warners remade the film in 1936 as Two Against the World, also known as One Fatal Hour, starring Humphrey Bogart in Robinson's part and set in a radio station instead of a newspaper.

The film was nominated at the 5th Annual Academy Awards in 1931/1932 in the category of Outstanding Production, which later became known as the Academy Award for Best Picture.

Joseph W. Randall (Edward G. Robinson), the city editor of a tabloid newspaper, reluctantly agrees when publisher Bernard Hinchecliffe (Oscar Apfel) plans to boost circulation with a restrospective series on a 20-year-old murder and scandal, involving a secretary, Nancy Voorhees (Frances Starr), who shot the man who got her pregnant and then refused to marry her. Nancy is now married to Michael Townsend (H. B. Warner), an upstanding member of society, and has a daughter, Jenny (Marian Marsh), about to marry the son of a socially prominent family, Philip Weeks (Anthony Bushell). She reacts with horror at the renewed interest in the scandal she had put behind her.


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