Five Star Final (play)

Five Star Final
Broadway program cover
Written by	Louis Weitzenkorn
Date premiered	December 30, 1930 (1930-12-30)
Place premiered	Cort Theatre
Original language	English
Genre	Melodrama

Five Star Final is a play written by Louis Weitzenkorn. The story is a melodrama about the evils of tabloid journalism. Producer A. H. Woods staged it on Broadway, where it was a hit, running for 175 performances.

An unscrupulous newspaper publisher decides to boost circulation by reviving an old scandal involving Nancy Voorhees, a woman who was accused of murdering her lover twenty years before. Although she was acquitted by a jury, Nancy fears the damage a revival of the story could cause her family. She is married and has a daughter who is about to have her own wedding to a wealthy young man whose family would not approve of Nancy's past. Nancy begs the assigned reporter not to pursue the story, but he refuses. When the story is published on their daughter's wedding day, Nancy and her husband commit suicide. The daughter seeks out the reporter to kill him for vengeance, but discovers that he is wracked with guilt over what he has done.

Producer A. H. Woods acquired the rights to the play in 1930. At first his intention was to co-produce the play with William A. Brady and have it appear at Brady's Playhouse Theatre. However, this plan fell through and the production finally opened at the Cort Theatre on December 30, 1930, with just Woods producing. Worthington Miner directed. Arthur Byron played the reporter and Merle Maddern played Nancy.

Weitzenkorn was busy revising the script up until the premier, and apparently after as well. Reviewers complained that the first performance was insufficiently rehearsed, and descriptions of the scenes on opening night differ from what was done later.

The characters and cast from the Broadway production are given below:

The play received reviews that treated it as a justified indictment of sensationalist journalism, albeit with some reservations. In The New York Times, reviewer Brooks Atkinson took exception to uneven writing and performances, but described it as an "exposé" that deserved consideration "whatever your opinion of the dramatic workmanship". In an article several days later, Atkinson said the play was sometimes as sensationalistic as those it condemned, but it "strikes a crushing blow" against the press. In the Outlook and Independent, Otis Chatfield-Taylor described the production as flawed in several ways, but nonetheless "something very much to be seen" for its "moments of undeniable drama and pathos" and its "violent polemic" against journalistic scandal-mongering. He praised the work of Woods, Miner and the cast.