First Offense | ||||
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Studio album by Corey Hart | ||||
Released | April 1984 | |||
Recorded | 1982–1983 Revolution Recording Studios, Cheadle Hulme, Greater Manchester, England Eel Pie Studios, London, England |
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Genre | New wave, synthrock | |||
Length | 41:28 | |||
Label |
Aquarius (Canada) - AQR 537 EMI (United States) - 2401861 |
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Producer | Jon Astley, Phil Chapman | |||
Corey Hart chronology | ||||
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Allmusic | link |
First Offense is the first album by Corey Hart, released in 1984. It includes the hit single "Sunglasses at Night" and the ballad "It Ain't Enough". Hart was subsequently nominated for four Juno Awards and a Grammy Award for "Best New Artist".
After meeting Billy Joel in a New York City recording studio, Hart was signed to Aquarius Records and went to England to record his first album. Much of it was recorded at Revolution Recording Studios in Cheshire, where owner Andy Macpherson helped him to gather a mix of British musicians who were known for their work in other bands, including Gary Tibbs (Adam and the Ants) on bass guitar, Paul Burgess (10cc) on drums and Michael Byron-Hehir (Sad Café) on guitar. Byron-Hehir became a full-time member of Hart's band for the next seven years. The album also features a cameo by Eric Clapton, playing the Dobro (resonator guitar); a fact mentioned in Hart's early promotional materials.
Hart had completed the album by August 1982, apart from "Sunglasses at Night" which had yet to be written. In a 1985 radio interview with CHUM-FM, Hart described how he returned to Canada and then wrote the song: "I wrote 'Sunglasses' and I said to the record company "I gotta do this song. I've just got to put it on the album" because ... it's just such an immediate song for me that when I wrote it, when I wrote the riff to that song, I said there's just something about it, some magic about this song. It was one of the only songs that I've written where I actually thought of the video at the time that I was writing it. I had that same gut feeling about 'Sunglasses' the minute I wrote it." The song, with its synthesizer-driven beat and distinctive guitar, was added to the album and became the hit lead single, rising to #7 on the Billboard Hot 100 charts.