Finnish rock

Finnish rock (Finnish: suomirock or suomirokki—also known as Finnsrock, Finnrock or Finrock) refers to rock music made in Finland. The initial rock and roll boom of the 1950s was preceded by a long tradition of popular culture. Suomirock may refer to Finnish rock music in general or more narrowly rock music sung in the Finnish language.

Finnish rock followed the common trends during the 50s and 60s. Usually Finnish rock bands performed covers or hit songs translated into Finnish. Eero Raittinen and his brother Jussi Raittinen are among the earliest rockers of the 1960s, alongside groups such as Jormas, Topmost and Ernos. The British band The Renegades found their biggest success in the 1960s Finland. Helsinki was the centre of Finnish rock and pop music during this period. Love Records was one of the first domestic record labels dedicated to Finnish rock, even though the label's roster also included jazz and political songs. Suomen Talvisota 1939-1940 represented Finnish underground, and their only album Underground-Rock (1970) is cited as a big influence among many current Finnish music-makers. Other Finnish underground/psychedelic bands of this era were The Sperm, Apollo and the ground-breaking Blues Section, which spawned Wigwam and Tasavallan Presidentti after its split.

At the beginning of the 1970s new artists emerged. Singer-songwriters such as Hector and Juice Leskinen started writing songs in Finnish, combining shades of irony, poetry and introspection with rock sound. Later in the seventies the new wave and punk brought more artists such as Pelle Miljoona, Eppu Normaali and Hassisen kone. Finnish rock had by now become independent. Names such as Dave Lindholm, Tuomari Nurmio and Ismo Alanko continued with their own styles. Tampere became at the turn of the 1970s and 80s the most vibrant town in rock culture, spawning "Manserock" as rock music by the town's artists was called.

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