Cinema of Finland | |
---|---|
Finnkino Plaza, a multiplex movie theater in Oulu
|
|
Number of screens | 283 (2011) |
• Per capita | 5.9 per 100,000 (2011) |
Main distributors |
SF Film 31.0% The Walt Disney Company 24.0% Finnkino 16.0% |
Produced feature films (2011) | |
Fictional | 26 (61.9%) |
Animated | 2 (4.8%) |
Documentary | 14 (33.3%) |
Number of admissions (2011) | |
Total | 7,144,447 |
• Per capita | 1.6 (2012) |
National films | 1,230,102 (17.2%) |
Gross box office (2011) | |
Total | €65 million |
National films | €10.6 million (16.3%) |
The Finnish cinema has a long history, with the first public screenings starting almost as early as modern motion picture technology was invented (the first screening in the world was in 1895, in Finland in 1896). It took over a decade before the first Finnish film was produced and screened in 1907. After these first steps of Finnish cinema, the progress was very slow. After 1907 there were two periods (1909–1911 and 1917–1918) when no Finnish films were produced. This was partly caused by the political situation, as Finland held a status as an autonomous part of Russia and was thus influenced by the worldwide political situation.
In 1917 Finland became an independent country and in 1918 there was a civil war. After the political situation had settled and stabilized, Finnish society and its cultural life began to develop. This was very clear with cinematic arts. More films were produced and they became an important part of Finnish society. The culmination of this development came soon after the silent era, around the 1940s and 1950s, when three major studios were producing films and competing for the market. When society changed in the 1960s, partly because of political trends and partly because of new forms of entertainment, like television, the appeal of films was threatened, practically all studios were closed, and films became political and too artistic for the masses, as commercial production was considered a thing of the past and distasteful. Few filmmakers were opposed to this development, and kept producing popular films that were bashed by the critics but loved by the people.
A revival in Finnish cinema came in the 1990s, which was partly influenced by the new generation of filmmakers bringing in new ideas, and partly because commercial success was no longer considered to be "non-artistic," thus commercial film projects started to receive support from governmental funds. In the 2000s the Finnish cinema is alive and well, with some films and filmmakers gaining global success and many films receiving a good response from audiences and critics. Today, around 15–20 Finnish full-length feature films are produced every year, and the Finnish cinema is gaining new forms from global influence, such as action and wuxia.
The Lumière company screened the first moving images at Helsinki in 1896, but it wasn't until 1904 that the first films were actually filmed in Finland. It is unknown who made the first film (called Novelty from Helsinki: School youth at break), but it was shown by American Bioscope in December. The first Finnish film company, Atelier Apollo, was founded in 1906 by engineer K. E. Ståhlberg. It produced mainly documentary shorts, but also the first Finnish feature film, The Moonshiners (1907). From the very beginning, Finnish film production was centered to the country's capital, although for few years starting from 1907 there was a noteworthy company Oy Maat ja Kansat producing short documentaries in Tampere.