Finger 5

Finger Five (フィンガー5, Fingā Faibu^?) was a Japanese pop group, composed of the four Okinawan Tamamoto brothers, Kazuo, Mitsuo, Masao, Akira, and sister Taeko. Their greatest hit was "Koi No Dial 6700 (恋のダイヤル6700 - Love Call 6700)".

The Okinawa-based group performed catchy songs, wore matching outfits and had choreographed dance routines. They even performed cover versions of Motown hits, including those of the Jackson 5. The band was formed in 1967 with only the three brothers Kazuo, Mitsuo and Masao, who performed as All Brothers. Conveniently their father owned a bar in Okinawa at which they performed. After winning a local talent contest it was decided that they could go farther if based in Tokyo, although at the time the eldest brother Kazuo was still only 14. The group, who were partly inspired by the Partridge Family TV show, struggled in the Tokyo area, often playing at venues that catered to US military, as they had done in Okinawa.

In 1970, they signed with King Records as the Baby Brothers, but their three releases did not sell well. In early 1972 Akira and Taeko were added to the group and they became Finger Five. Later that year they debuted on the Phillips label, with First Album, and scored a huge hit with the single “Kojin Jugyo (Private Lessons)" in 1973. “Kojin Jugyo” sold almost a million and a half copies, and follow-up singles "Koi no Dial 6700 (Love Call 6700)" and “Gakuen Tengoku” were also major hits.

Their songs were primarily about school life and puppy love, and most of their fans were youngsters. After working hard for years, the group had attained superstar status. They became regulars on the weekly TV show Ginza NOW, and made the movies Hello Finger Five, Chonoryoku Dayo! Zenin Shugo and Finger Five No Dai Boken, all of which were released in 1974. That year they also held a joint concert with Canada’s De Franco Family. The group, however, were not able to hold onto to their popstar crown very long. In 1975, Kazuo dropped out of the group, and his cousin Minoru Gushiken replaced him. The group was feeling overwhelmed by the sudden stardom thrust on them, and after a good-bye tour, relocated to the United States for late 1975 and early 1976. Besides catching their breath, the members wanted to approach their craft more seriously and evolve beyond being “idols”. However, in their absence, interest in the group waned, and when they returned to release their more mature music, sales evaporated.

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